01050nam a2200265 i 450099100198876970753620020507154914.0990923s1966 it ||| | ita b1159309x-39ule_instLE02728585ExLDip.to Studi GiuridiciitaMoschetti, Cesare Maria139533Gubernare navem, gubernare rem publicam :contributo alla storia del diritto marittimo e del diritto pubblico romano /Cesare Maria MoschettiMilano :A. Giuffré,1966269 p.Quaderni di studi senesi ;16Legge costituzionaleRomaLegge marittimaDiritto romanoGubernare rem publicam.b1159309x01-03-1702-07-02991001988769707536LE027 ARCHI M 8781LE027-5742le027-E0.00-l- 00000.i1180351402-07-02Gubernare navem gubernare rem publicam677844UNISALENTOle02701-01-99ma -itait 0101461nam 2200337 450 991071976390332120230623224455.0(CKB)4960000000468578(NjHacI)994960000000468578(EXLCZ)99496000000046857820230623d2023 uy 0gerur|||||||||||txtrdacontentcrdamediacrrdacarrierJahrbuch der Deutschen Schillergesellschaft 52/2008 Internationales Organ für Neuere Deutsche Literatur /Wilfried Barner [and three others][Erscheinungsort nicht ermittelbar] :Wallstein Verlag,2023.1 online resource (670 pages)Das "Jahrbuch der Deutschen Schillergesellschaft" ist ein literaturwissenschaftliches Periodikum, das vorwiegend Beiträge zur deutschsprachigen Literatur von der Aufklärung bis zur Gegenwart veröffentlicht. Diese Zeitspanne entspricht den Sammelgebieten des Deutschen Literaturarchivs Marbach, das von der Deutschen Schillergesellschaft getragen wird.Jahrbuch der Deutschen Schillergesellschaft 52/2008 College yearbooksCollege yearbooks.373.1897Barner Wilfried165626NjHacINjHaclBOOK9910719763903321Jahrbuch der Deutschen Schillergesellschaft 523390585UNINA05069nam 2200745 450 991078909950332120230617013719.03-11-095082-010.1515/9783110950823(CKB)3390000000035089(EBL)3043981(SSID)ssj0001121592(PQKBManifestationID)11733127(PQKBTitleCode)TC0001121592(PQKBWorkID)11057018(PQKB)10643976(MiAaPQ)EBC3043981(DE-B1597)46257(OCoLC)979595838(DE-B1597)9783110950823(Au-PeEL)EBL3043981(CaPaEBR)ebr10776952(OCoLC)927460317(EXLCZ)99339000000003508920031114d2003 uy| 0engurnn#---|u||utxtccrEmblematics in Hungary a study of the history of symbolic representation in Renaissance and Baroque literature /Éva Knapp, Gábor Tüskés ; translated by András Török ; chapters III and V were translated by Zsuzsa Boronkay ; revised by Nigel GriffinReprint 2012Tübingen :Niemeyer,2003.1 online resource (410 p.)Frühe Neuzeit : Studien und Dokumente zur deutschen Literatur und Kultur im europäischen Kontext,0934-5531 ;Band 86Description based upon print version of record.3-484-36586-2 Includes bibliographical references (pages [289]-314) and index.Front matter --Contents --Foreword --I Background, definitions, and objectives --II Emblematics in Hungarian literary theory --III Routes of transmission: Jesuit education and emblematics --IV The typology of emblem books and emblematic prints --V The English reception of a late humanist emblem book by a Hungarian author: Zsámboky (Sambucus) and Whitney --VI Mannerist emblematic poetry? The layers of literary tradition in János Rimay's poem Fortuna/Occasio --VII Emblematic modes of expression in the school drama --VIII The emblematic mode and the sermon --IX Religious prose: Emblematic biographies of Jesuit saints --X Literary emblematics and the fine arts: Rhetorical conception and iconographie programme of the fresco cycle on the Grand Staircase of the Jesuit College at Győr --Conclusion --Abbreviations --List of emblem books and emblematic prints with Hungarian connections --Tables --List of figures --Figures --Bibliography --IndexThe main aim of the work is to present emblematics in Hungary in its European context, and to show the reciprocal influence between that phenomenon and mainstream literature. The description of the theoretical and historical development in Hungary is supplemented by a series of case studies examining the effect of emblematics upon various literary genres. The final chapter analyzes the link between literary emblematics and the visual arts by looking at a specific example. As in most European countries, emblematics in Hungary is part of a complex labyrinth of literary modes of thought and expression. A relative poverty of theoretical writing went hand in hand with a considerable range of emblematic practice. The emblem proved to be a transitional form between the period when signs and motifs were regarded as having specific and fixed meanings and the modern period when we have developed a different and shifting concept of language and meaning. At the same time as emblems began to penetrate the more popular levels of national culture and literature, they also became more specialized. Hungarian emblematics used, for the most part, existing pictorial and textual combinations of pictures and texts. They employed the emblem notably in genres and texts of the genus demonstrativum, which referred to matters which were topical at the time.Frühe Neuzeit ;Bd. 86.Hungarian literature16th centuryHistory and criticismHungarian literature17th centuryHistory and criticismEuropean literatureRenaissance, 1450-1600History and criticismBaroque literatureHistory and criticismEmblems in literatureHungarian literatureHistory and criticism.Hungarian literatureHistory and criticism.European literatureHistory and criticism.Baroque literatureHistory and criticism.Emblems in literature.894/.51109001EK 2510rvkKnapp Éva1550001Tüskés Gábor683346Török András1550002Boronkay Zsuzsa1550003Griffin Nigel174762MiAaPQMiAaPQMiAaPQBOOK9910789099503321Emblematics in Hungary3808456UNINA