02480nam 2200601 a 450 991078899950332120230721033658.01-282-41490-997866124149091-4438-1614-0(CKB)3390000000009043(EBL)1114401(OCoLC)827209256(SSID)ssj0000441816(PQKBManifestationID)12190675(PQKBTitleCode)TC0000441816(PQKBWorkID)10444890(PQKB)10852304(MiAaPQ)EBC1114401(Au-PeEL)EBL1114401(CaPaEBR)ebr10655284(CaONFJC)MIL241490(OCoLC)711603406(FINmELB)ELB132202(EXLCZ)99339000000000904320100311d2009 uy 0engur|n|---|||||txtccrRewriting/reprising[electronic resource] plural intertextualities /edited by Georges LetissierNewcastle Cambridge Scholars2009Newcastle :Cambridge Scholars,2009.1 online resource (264 p.)Description based upon print version of record.1-4438-1388-5 Includes bibliographical references.pt. 1. Pastiche, parody, genre and gender -- pt. 2. Rewritings in the Victorian age, rewriting the Victorians -- pt. 3. Writing back and claims for self-authorization -- pt. 4. Artistic dialogism.This volume comprises sixteen essays, preceded by an introductory chapter focusing on the diverse modalities of textual, and more widely, artistic transfer. Whereas the first Rewriting-Reprising volume (coord. by C. Maisonnat, J. Paccaud-Huguet & A. Ramel) underscored the crucial issue of origins, the second purports to address the specificities of hypertextual, and hyperartistic (Genette, 1982) practices. Its common denominator is therefore second degree literature and art. A first section, ...LiteratureAdaptationsLiteratureHistory and criticismTheory, etcLiteratureAdaptations.LiteratureHistory and criticismTheory, etc.809Letissier Georges1160210MiAaPQMiAaPQMiAaPQBOOK9910788999503321Rewriting3783411UNINA