05427nam 2200673 450 991078853090332120230120091906.01-283-47878-11-4081-5173-19786613478788(CKB)3360000000433295(EBL)1747849(SSID)ssj0000668078(PQKBManifestationID)12261746(PQKBTitleCode)TC0000668078(PQKBWorkID)10699749(PQKB)10160796(MiAaPQ)EBC1747849(Au-PeEL)EBL1747849(CaPaEBR)ebr10865761(CaONFJC)MIL347878(OCoLC)893330980(MiAaPQ)EBC6163035(EXLCZ)99336000000043329520140507d2012 uy| 0engur|n|---|||||txtccrAn actor's guide to getting work /Simon DunmoreFifth edition.London :Methuen Drama,2012.1 online resource (257 p.)Description based upon print version of record.1-4081-4554-5 Includes bibliographical references and index.Cover; Contents; Acknowledgements; Introduction; 1: If you really want to be a professional actor; Those of school age; School-leavers; The mature entrant to the profession; Preliminary training; Full-time training; Choices; Some fundamental considerations; Early preparations; A drama school applicant's toolkit; 'What are audition panels looking for?'; 2: Applying for training - the details; The paperwork; Audition speeches; Rehearsing your speeches; Some practical considerations; Performing your speeches; Audition songs; Selecting and preparing your songs; Performing your songsDance auditionsMovement, improvisations and self-devised audition pieces; Sight-readings in drama school auditions; Interviews; Audition days; After your auditions; If you get a place; Reserve/waiting lists; Funding your training; If you don't get a place; Summary; 3: The training; Being at drama school; Your first public appearances; Your first professional steps . . .; Early work (and the lack of it); An actor's toolkit; Slog; 4: Equity and Spotlight; Equity; Spotlight; 5: Directors, producers, agents and casting directors; Who's who in casting; Directors; Producers; Casting directorsThe mechanics of castingOther issues; Agents; Finding an agent; Working with an agent; Co-operative agencies; Final thought; 6: Your promotional material; Letters, CVs and photographs; Some pitfalls to watch out for in your letters; Writing good letters; Some pitfalls to watch out for in your CV; Creating a good CV; Some pitfalls to watch out for in your photographs; Getting good photographs; Other things to think about before sealing the envelope/pressing the send button; Targeting your submissions; The following correspondence or lack of it; Other promotional materialBusiness cards and postcardsShowreels; Voicereels; Recording your voicereel; Personal websites; Additional internet promotional opportunities; Final note; 7: The casting point: inter viewing and auditioning; Interviews; Preparations for an interview; Some things to consider on the day; Pre-interview checklist; A few final notes . . .; Sight-readings; In advance; Textual details; On the day; In the room; Additional considerations for television, commercials and films; Television interviews; Commercial castings; Films; Digital acting opportunities; 8: Low-pay/no-pay 'work'; Fringe theatreSetting up your own productionSetting up your own company; The Edinburgh Festival Fringe; Showcases; Low budget films; Summary; 9: Other forms of acting income; Role-playing; Presenting at trade shows and business conferences; Enhancing the business-person's presentation and communication skills; Getting work in these fields; Role-play companies; 10: Professionalism: the business of being an actor; Organisation of interviews/auditions/castings; Casting information; You!; Professional public relations; Public relations while working; Essential professionalism; Some additional thoughtsTwo theories''Essential reading for any young actor'' Dame Maggie Smith Competition for acting work is fierce and talent is not necessarily enough. Actors need all the help they can get with all aspects of the profession. Now in its fifth edition, completely revised and updated, this practical, comprehensive guide contains invaluable information and advice to enable actors to succeed in the business. Written with honesty, humour and thoroughness, An Actor''s Guide to Getting Work draws on the author''s rich experience in the field to offer advice to both the novice and the seasoned performer. New materialActingVocational guidanceGreat BritainActorsVocational guidanceGreat BritainActorsEmploymentGreat BritainActingVocational guidanceActorsVocational guidanceActorsEmployment792/.028/023/41Dunmore Simon554502MiAaPQMiAaPQMiAaPQBOOK9910788530903321An actor's guide to getting work3717214UNINA03329nam 2200589Ia 450 991043823760332120200520144314.01-299-33670-13-642-33116-510.1007/978-3-642-33116-9(CKB)2670000000327992(EBL)1082651(OCoLC)827212427(SSID)ssj0000878644(PQKBManifestationID)11436035(PQKBTitleCode)TC0000878644(PQKBWorkID)10836449(PQKB)10905258(DE-He213)978-3-642-33116-9(MiAaPQ)EBC1082651(PPN)168323567(EXLCZ)99267000000032799220130208d2013 uy 0engur|n|---|||||txtccrComparative issues in the governance of research biobanks property, privacy, intellectual property, and the role of technology /Giovanni Pascuzzi, Umberto Izzo, Matteo Macilotti, editors1st ed. 2013.Heidelberg ;New York Springer20131 online resource (332 p.)Includes index.3-642-43933-0 3-642-33115-7 From the contents: Property and Privacy in Biobanking -- Intellectual Property and Biobanks -- Biobanks: The Perspective of Biobanker's.In the last few years, the boom in biobanking has prompted a lively debate on a host of interrelated legal issues, such as the Gordian knot of the ownership of biological materials, as well as privacy concerns. The latter are due to the difficulty of accepting that biological samples must be completely anonymous without making it practically impossible to exploit their information potential. The issues also include the delicate role and the changing content of the donor’s “informed consent” as the main legal tool that may serve to link the privacy and property interests of donors with the research interests and the set of principles that should be at the core of the biobanking practice. Lastly, the IP issues and the patentability of biological samples as well as the protection of databases storing genetic information obtained from the samples are covered. Collecting eighteen essays written by eminent scholars from Italy, the US, the UK and Canada, this book provides new solutions to these problems. From a comparative viewpoint, it explores the extent to which digital technology may assist in tackling the numerous regulatory issues raised by the practice of biobanking for research purposes. These issues may be considered and analyzed under the traditional paradigms of Property, Privacy, Informed Consent and Intellectual Property.BiobanksLaw and legislationBiologyResearchLaw and legislationBiobanksLaw and legislation.BiologyResearchLaw and legislation.344.4204194Pascuzzi Giovanni139612Izzo Umberto300398Macilotti Matteo479225MiAaPQMiAaPQMiAaPQBOOK9910438237603321Comparative issues in the governance of research biobanks4194072UNINA