02528nam 2200625 a 450 991078838770332120200520144314.01-280-59642-297866136262570-253-00541-8(CKB)3170000000046314(EBL)670297(OCoLC)769101877(SSID)ssj0000566600(PQKBManifestationID)11392713(PQKBTitleCode)TC0000566600(PQKBWorkID)10550459(PQKB)11272848(MdBmJHUP)muse19958(Au-PeEL)EBL670297(CaPaEBR)ebr10519687(CaONFJC)MIL362625(MiAaPQ)EBC670297(PPN)196273307(EXLCZ)99317000000004631420110728d2012 uy 0engurcn|||||||||txtccrMusic and globalization[electronic resource] critical encounters /edited by Bob W. WhiteBloomington Indiana University Pressc20121 online resource (246 p.)Tracking globalizationDescription based upon print version of record.0-253-22365-2 0-253-35712-8 Includes bibliographical references and index.pt. 1. Structured encounters -- pt. 2. Mediated encounters -- pt. 3. Imagined encounters.""World music"" emerged as a commercial and musical category in the 1980's, but in some sense music has always been global. Through the metaphor of encounters, Music and Globalization explores the dynamics that enable or hinder cross-cultural communication through music. In the stories told by the contributors, we meet well-known players such as David Byrne, Peter Gabriel, Sting, Ry Cooder, Fela Kuti, and Gilberto Gil, but also lesser-known characters such as the Senegalese Afro-Cuban singer Laba Sosseh and Raramuri fiddle players from northwest Mexico. This collection demonstrates that careTracking globalization.World musicHistory and criticismMusic and globalizationWorld musicHistory and criticism.Music and globalization.780.9White Bob W.1965-1295747MiAaPQMiAaPQMiAaPQBOOK9910788387703321Music and globalization3839589UNINA