01088nam a2200265 i 4500991000852829707536 s2002 it 000 0 ita d8879464981b1328289x-39ule_instDip. SSCita616.8914Wells, Adrian621923Disturbi emozionali e metacognizione :nuove strategie di psicoterapia cognitiva /Adrian Well ; presentazione di Cesare Cornoldi e Ezio SanavioTrento :Erickson,2002244 p. ;24 cmCollana di psicologia ;61PsicoterapiaTeoria cognitivaCornoldi, CesareSanavio, Ezio.b1328289x21-09-0624-02-05991000852829707536LE021 SOC23BISB8312021000134692le021BibliotecaGio 20 Mar 2014: Sollecito rientrato il Gio 20 Mar 2014 per .p1020692-E0.00-lm 01010.i1401411724-02-05Disturbi emozionali e metacognizione1107213UNISALENTOle02124-02-05m- -itait 0003893nam 22006371 450 991078831470332120231206203605.00-292-75290-30-292-75291-110.7560/752894(CKB)3170000000060215(EBL)3443698(SSID)ssj0000999892(PQKBManifestationID)11522538(PQKBTitleCode)TC0000999892(PQKBWorkID)10942798(PQKB)10257168(OCoLC)859154931(MdBmJHUP)muse25098(Au-PeEL)EBL3443698(CaPaEBR)ebr10768931(OCoLC)899045092(Au-PeEL)EBL7171748(DE-B1597)587865(OCoLC)1280944953(DE-B1597)9780292752917(MiAaPQ)EBC3443698(MiAaPQ)EBC7171748(EXLCZ)99317000000006021520130416h20132013 uy 0engurcnu||||||||txtccrBlossoms and blood postmodern media culture and the films of Paul Thomas Anderson /Jason SperbAustin :University of Texas Press,[2013]©20131 online resource (297 p.)Description based upon print version of record.0-292-75289-X Includes bibliographical references and index.Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index.From his film festival debut Hard Eight to ambitious studio epics Boogie Nights, Magnolia, and There Will Be Blood, Paul Thomas Anderson’s unique cinematic vision focuses on postmodern excess and media culture. In Blossoms and Blood, Jason Sperb studies the filmmaker’s evolving aesthetic and its historical context to argue that Anderson’s films create new, often ambivalent, narratives of American identity in a media-saturated world. Blossoms and Blood explores Anderson’s films in relation to the aesthetic and economic shifts within the film industry and to America’s changing social and political sensibilities since the mid-1990s. Sperb provides an auteur study with important implications for film history, media studies, cultural studies, and gender studies. He charts major themes in Anderson’s work, such as stardom, self-reflexivity, and masculinity and shows how they are indicative of trends in late twentieth-century American culture. One of the first books to focus on Anderson’s work, Blossoms and Blood reveals the development of an under-studied filmmaker attuned to the contradictions of a postmodern media culture.Motion picture producers and directorsMotion picture producers and directors.791.4302/33092PER004030bisacshSperb Jason1978-1494562MiAaPQMiAaPQMiAaPQBOOK9910788314703321Blossoms and blood3778335UNINA