04054nam 2200661Ia 450 991078826720332120200520144314.00-292-74287-80-292-73715-710.7560/729124(CKB)3170000000046245(EBL)3443592(SSID)ssj0000580813(PQKBManifestationID)11965957(PQKBTitleCode)TC0000580813(PQKBWorkID)10606957(PQKB)11624306(OCoLC)794672458(MdBmJHUP)muse17565(Au-PeEL)EBL3443592(CaPaEBR)ebr10565385(Au-PeEL)EBL7171677(MiAaPQ)EBC3443592(MiAaPQ)EBC7171677(OCoLC)1382696131(DE-B1597)587506(OCoLC)1280945294(DE-B1597)9780292737150(EXLCZ)99317000000004624520111121d2012 ub 0engurcn|||||||||txtccrIndie, inc[electronic resource] Miramax and the transformation of Hollywood in the 1990s /Alisa Perren1st ed.Austin University of Texas Press20121 online resource (321 p.)Texas film and media studies seriesDescription based upon print version of record.0-292-72912-X Includes bibliographical references and index.Finding a niche in the 1990's -- The rise of Miramax and the quality indie blockbuster (1979-fall 1992) -- The "secret" of Miramax's success: The crying game (winter 1992-spring 1993) -- Corsets, clerks, and criminals: Miramax in the age of Disney (summer 1993-spring 1995) -- Another dimension to the Miramax brand: kids, scream, and the teen audience (spring 1995-spring 1997) -- Majors, indies, independents: the rise of a three-tier system (winter 1996-spring 1997) -- Who says life is beautiful? (summer 1997-spring 1999) -- Maxed out: Miramax and indiewood in the new millennium.During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. surveys Miramax’s evolution from independent producer-distributor to studio subsidiary, chronicling how one company transformed not just the independent film world but the film and media industries more broadly. As Alisa Perren illustrates, Miramax’s activities had an impact on everything from film festival practices to marketing strategies, talent development to awards campaigning. Case studies of key films, including The Piano, Kids, Scream, The English Patient, and Life Is Beautiful, reveal how Miramax went beyond influencing Hollywood business practices and motion picture aesthetics to shaping popular and critical discourses about cinema during the 1990s. Indie, Inc. does what other books about contemporary low-budget cinema have not—it transcends discussions of “American indies” to look at the range of Miramax-released genre films, foreign-language films, and English-language imports released over the course of the decade. The book illustrates that what both the press and scholars have typically represented as the “rise of the American independent” was in fact part of a larger reconfiguration of the media industries toward niche-oriented products.Texas film and media studies series.Miramax and the transformation of Hollywood in the 1990sIndependent filmmakersUnited StatesIndependent filmmakers791.43023092Perren Alisa1579122MiAaPQMiAaPQMiAaPQBOOK9910788267203321Indie, inc3858982UNINA