02465nam 22005771 450 991078778800332120230801231342.00-231-85003-4(CKB)2670000000431041(EBL)909597(OCoLC)859182648(SSID)ssj0001001346(PQKBManifestationID)12479643(PQKBTitleCode)TC0001001346(PQKBWorkID)10967036(PQKB)11671351(MiAaPQ)EBC909597(Au-PeEL)EBL909597(CaPaEBR)ebr10774422(CaONFJC)MIL562691(EXLCZ)99267000000043104120120201d2012 uy 0engur|n|---|||||txtccrThe vampire film undead cinema /Jeffrey WeinstockLondon ;New York :Wallflower,2012.1 online resource (153 p.)Short cuts ;48Description based upon print version of record.0-231-16201-4 Includes filmography (pages 130-133).Includes bibliographical references (pages 134-138) and index.Introduction : vampire cinema -- Vampire sex -- Vampire technology -- Vampire otherness -- Code : vampirising genre.This introductory volume offers an elegant analysis of the enduring appeal of the cinematic vampire. From Georges Méliès' early cinematic experiments to Twilight and Let the Right One In, the history of vampires in cinema can be organised by a handful of governing principles that help make sense of this movie monster's remarkable fecundity. Among these principles are that the cinematic vampire is invariably about sex and the vexed human relationship with technology, and that the vampire is always an overdetermined body condensing what a culture considers other. This volume includes in-depth stShort cuts (London, England) ;48.Vampire filmsHistory and criticismMonster filmsHistory and criticismVampire filmsHistory and criticism.Monster filmsHistory and criticism.791.43675Weinstock Jeffrey Andrew1091678MiAaPQMiAaPQMiAaPQBOOK9910787788003321The vampire film3707351UNINA