03439nam 2200709 450 991078770630332120230801231729.03-05-006261-410.1524/9783050062617(CKB)2670000000533700(EBL)1348924(SSID)ssj0001211400(PQKBManifestationID)11832064(PQKBTitleCode)TC0001211400(PQKBWorkID)11221250(PQKB)10949670(MiAaPQ)EBC1348924(DE-B1597)220936(OCoLC)871775727(OCoLC)953295732(DE-B1597)9783050062617(Au-PeEL)EBL1348924(CaPaEBR)ebr10848985(CaONFJC)MIL580075(EXLCZ)99267000000053370020140321h20122012 uy| 0engur|n|---|||||txtccrThe animated image Roman theory on naturalism, vividness and divine power /Stijn BusselsBerlin :Akademie Verlag,[2012]©20121 online resource (224 p.)Studien Aus Dem Warburg-Haus ;Band 11Description based upon print version of record.3-05-005949-4 Includes bibliographical references and index.Front Matter -- Naturalism and Animation: Pliny's Anecdotes on Art -- Enargeia as Epistemological Requirement and Rhetorical Virtue: Quintilian on Vividness -- Creation and Impact of Art, Literature and speech: Callistratus' on the statue of a Bacchante -- Life and Animation in Dance, Theatre and Spectacle: Lucian's the Dance -- Cult statues at the Boundaries of Humanity: Plutarch on Supernatural Animation -- Epilogue: Erotic Reactions to Praxiteles' Cnidian Aphrodite -- Back MatterMany Romans wrote about the belief that an image - a sculpture or painting, as well as a verbal description or a personage on stage - is not a representation, but the image's prototype or that an image had particular aspects of life. A first group of authors explained these believes as incorrect observation or wrong mental processing by the beholder. Other authors pointed at the excellent craftsmanship of the maker of the image. A third group looked at the supernatural involvement of its prototype, often a god. Together these discourses on the animation of images bring us to what intellectuals from all over the Roman empire saw as reprehensible or acceptable in beholding images as works of art or as cult images. Moreover, these discourses touch upon ontological and epistemological problems. The barrier between life and death was explored and also the conditions to obtain knowledge from observation.Studien aus dem Warburg-Haus ;Band 11.Sculpture, RomanArt, RomanNaturalismSculptureTechniqueAesthetics, RomanSculpture, Roman.Art, Roman.Naturalism.SculptureTechnique.Aesthetics, Roman.938LH 61020rvkBussels Stijn963565MiAaPQMiAaPQMiAaPQBOOK9910787706303321The animated image3690922UNINA01054nam0 22002651i 450 UON0016043420231205103005.48120020605d1974 |0itac50 baengJP||||p |||||ˆA ‰nation rebornA short history of postwar Japanby Jun EtoTokyoInternational Society for Educational Information197473 p.22 cmGIAPPONESTORIA1945-75UONC031968FIJPTōkyōUONL000031GIA IV BGIAPPONE - STORIA MODERNA E CONTEMPORANEAAETO JunUONV013084636993International Society for Educational InformationUONV252698650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00160434SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI GIA IV B 264 N SI SA 105191 5 264 N Nation reborn1284349UNIOR