02034nam0 22004333i 450 RMR000659620231121125805.0IT1955 9538 20010529d1955 ||||0itac50 baitaitz01i xxxe z01n˜I œColonnaPio PaschiniRomaIstituto di studi romani195576 p., [4] c. di tav. ripieg., 16 p. di tav.ill., c. geneal.20 cm˜Le œgrandi famiglie romane11001SBL02444452001 ˜Le œgrandi famiglie romane11Colonna <famiglia>NobiltàRomaFIRRMLC422430IColonna <famiglia>FIRRMLC121245I929.2094563STORIE DI FAMIGLIE. Roma (prov.)21Paschini, PioRAVV027960070322136Paschin, PioSBNV007334Paschini, PioITIT-0120010529IT-RM0289 IT-RM0290 IT-RM0313 IT-RM0459 IT-RM0285 IT-RM0211 IT-RM0251 IT-RM0151 IT-FR0017 Biblioteca Statale A. BaldiniRM0289 BIBLIOTECA ANGELICARM0290 BIBLIOTECA CASANATENSERM0313 ARCHIVIO DI STATO DI ROMARM0459 Biblioteca Dell'Istituto Nazionale Di Studi RomaniRM0285 Fondazione Marco BessoRM0211 Biblioteca Della Soprintendenza Archivistica Per Il LazioRM0251 Biblioteca Istituto Storico Italiano Medio Evo - IRM0151 Biblioteca umanistica Giorgio ApreaFR0017 NRMR0006596Biblioteca umanistica Giorgio Aprea 52DSR O 11 52FLS0000379385 VMB RS A 2014102420141024 04 06 07 12 13 14 24 41 52Colonna1087266UNICAS03397nam 2200673 450 991078764150332120200520144314.00-231-53578-310.7312/roge15916(CKB)2670000000488806(EBL)1321265(OCoLC)862940454(StDuBDS)EDZ0000744852(DE-B1597)459275(OCoLC)862327426(OCoLC)870891155(DE-B1597)9780231535786(Au-PeEL)EBL1321265(CaPaEBR)ebr10820234(CaONFJC)MIL562380(MiAaPQ)EBC1321265(EXLCZ)99267000000048880620130416h20132013 uy| 0engur||#||||||||rdacontentrdacontentrdamediardacarrierCinematic appeals the experience of new movie technologies /Ariel RogersNew York :Columbia University Press,[2013]©20131 online resource (353 p.)Film and Culture SeriesFilm and cultureDescription based upon print version of record.0-231-15917-X Includes bibliographical references and index.Front matter --Contents --List of Illustrations --Acknowledgments --Introduction: Moving Machines --1. "Smothered in Baked Alaska": The Anxious Appeal of Widescreen Cinema --2. East of Eden in Cinema Scope: Intimacy Writ Large --3. Digital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy --4. Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration --5. Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now --Notes --Selected Bibliography --Index --Back matterCinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950's, the rise of digital cinema in the 1990's, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time.Film and cultureFilm and Culture SeriesMotion picture audiencesTechnology in motion picturesCinematographyTechnological innovationsDigital cinematographyMotion picture audiences.Technology in motion pictures.CinematographyTechnological innovations.Digital cinematography.302.23/43Rogers Ariel1491294MiAaPQMiAaPQMiAaPQBOOK9910787641503321Cinematic appeals3713085UNINA