04421nam 2200685Ia 450 991078754230332120220304210819.00-8122-0248-110.9783/9780812202489(CKB)2670000000418198(OCoLC)859160676(CaPaEBR)ebrary10748453(SSID)ssj0001053304(PQKBManifestationID)11678282(PQKBTitleCode)TC0001053304(PQKBWorkID)11114172(PQKB)11127913(MdBmJHUP)muse26727(DE-B1597)449106(OCoLC)1013936911(OCoLC)979968268(DE-B1597)9780812202489(Au-PeEL)EBL3442076(CaPaEBR)ebr10748453(CaONFJC)MIL682356(MiAaPQ)EBC3442076(EXLCZ)99267000000041819820050924d2006 uy 0engurcn|||||||||txtccrMedieval boundaries[electronic resource] rethinking difference in Old French literature /Sharon KinoshitaPhiladelphia University of Pennsylvania Pressc20061 online resource (321 p.)The Middle Ages seriesBibliographic Level Mode of Issuance: Monograph1-322-51074-1 0-8122-3919-9 Includes bibliographical references (p. [287]-303) and index.Front matter --Contents --Introduction --PART I. EPIC REVISIONS --1. "Pagans Are Wrong and Christians Are Right" --2. The Politics of Courtly Love --PART II. ROMANCES OF ASSIMILATION --3. "In the Beginning Was the Road" --4. Colonial Possessions --PART III. CRISIS AND CHANGE IN THE THIRTEENTH CENTURY --Introduction --5. Brave New Worlds --6. The Romance of MiscegeNation --7. Uncivil Wars --Conclusion --Notes --Selected Bibliography --Index --AcknowledgmentsIn Medieval Boundaries, Sharon Kinoshita examines the role of cross-cultural contact in twelfth- and early thirteenth-century French literature. Starting from the observation that many of the earliest and best-known works of the French literary tradition are set on or beyond the borders of the French-speaking world, she reads the Chanson de Roland, the lais of Marie de France, and a variety of other texts in an expanded geographical frame that includes the Iberian peninsula, the Welsh marches, and the eastern Mediterranean. In Kinoshita's reconceptualization of the geographical and cultural boundaries of the medieval West, such places become significant not only as sites of conflict but also as spaces of intense political, economic, and cultural negotiation. An important contribution to the emerging field of medieval postcolonialism, Kinoshita's work explores the limitations of reading the literature of the French Middle Ages as an inevitable link in the historical construction of modern discourses of Orientalism, colonialism, race, and Christian-Muslim conflict. Rather, drawing on recent historical and art historical scholarship, Kinoshita uncovers a vernacular culture at odds with official discourses of crusade and conquest. Situating each work in its specific context, she brings to light the lived experiences of the knights and nobles for whom this literature was first composed and-in a series of close readings informed by postcolonial and feminist theory-demonstrates that literary representations of cultural encounters often provided the pretext for questioning the most basic categories of medieval identity. Awarded honorable mention for the 2007 Modern Language Association Aldo and Jeanne Scaglione Prize for French and Francophone StudiesMiddle Ages series.French literatureTo 1500History and criticismProvençal literatureHistory and criticismCultural Studies.Literature.Medieval and Renaissance Studies.French literatureHistory and criticism.Provençal literatureHistory and criticism.840.9/001Kinoshita Sharon518439MiAaPQMiAaPQMiAaPQBOOK9910787542303321Medieval boundaries841117UNINA