02725oam 2200625I 450 991078751010332120230808211354.01-138-24880-01-317-14409-01-315-57941-31-4094-6929-810.4324/9781315579412 (CKB)2670000000421424(EBL)1386959(OCoLC)858762759(SSID)ssj0001001774(PQKBManifestationID)11555145(PQKBTitleCode)TC0001001774(PQKBWorkID)10967990(PQKB)11398755(MiAaPQ)EBC1386959(Au-PeEL)EBL1386959(CaPaEBR)ebr10753237(OCoLC)976441383(EXLCZ)99267000000042142420180706e20162013 uy 0engur|n|---|||||txtccrEmulation on the Shakespearean stage /Vernon Guy Dickson, Florida International University, USALondon :Routledge,2016.1 online resource (210 p.)Studies in performance and early modern dramaFirst published 2013 by Ashgate Pub.1-317-14410-4 1-4094-6928-X Includes bibliographical references and index.Cover; Contents; Acknowledgements; Preface; 1 "Emulation hath a thousand sons": Emulative Rhetorics in Renaissance England; 2 "A pattern, precedent, and lively warrant"; 3 "Suit the action to the word"; 4 "I am what you should be"; 5 "Act[ing] an orators part"; Afterword: Emulation's "thousand sons" and Roman Influence: Conclusions and Implications; Bibliography; IndexUsing the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics, this study analyzes the conflicted uses of emulation in the period. The author also reassesses and nuances our understanding of the roles and significance of emulation in the Renaissance. Among the individual texts examined here are Shakespeare's Titus Andronicus and Hamlet, Jonson's Catiline, and Massinger's The Roman Actor.Studies in performance and early modern drama.Imitation in literatureEnglish dramaEarly modern and Elizabethan, 1500-1600History and criticismImitation in literature.English dramaHistory and criticism.822.3/3Dickson Vernon Guy.1560720MiAaPQMiAaPQMiAaPQBOOK9910787510103321Emulation on the Shakespearean stage3826902UNINA