02873nam 2200613 450 991078747550332120200520144314.00-8131-6498-2(CKB)3710000000334328(EBL)1915528(SSID)ssj0001435536(PQKBManifestationID)11800087(PQKBTitleCode)TC0001435536(PQKBWorkID)11434382(PQKB)10561106(OCoLC)900344729(MdBmJHUP)muse44554(Au-PeEL)EBL1915528(CaPaEBR)ebr11005589(MiAaPQ)EBC1915528(EXLCZ)99371000000033432820150124h19861986 uy dengur|||||||nn|ntxtccrA mirror to nature transformations in drama and aesthetics, 1660-1732 /Rose A. ZimbardoLexington, Kentucky :The University Press of Kentucky,1986.©19861 online resource (257 p.)Includes index.1-322-59972-6 0-8131-5539-8 Bibliography: p. [226]-242.Cover; Title; Copyright; Contents; Acknowledgments; 1. The Four Stages of Dramatic Imitation, 1660-1732; 2. Imitation of Nature as Idea; 3. Imitation of Nature as ""The City Between""; 4. The Varieties of Dramatic Satire in the 1670's; 5. Nature as the Experiential Actual, 1680-1700; 6. Imitation of the Inner Arena: Sentimental, Pornographic, or Novelistic?; 7. Emulation: The Early Eighteenth Century; Notes; Index;In this provocative study Rose Zimbardo examines a crucial revolution in aesthetics that took place in the late seventeenth century and that to this day dominates our response to literature. Although artists of that time continued to follow the precept ""imitate nature,"" that nature no longer corresponds to the earlier understanding of the term. What had been in essence an allegorical mode came to be a literal one.Focusing on the drama of the period as an exemplary form, Zimbardo shows how it moved from depicting a metaphysical reality of idea to portraying an inner reality of individualEnglish dramaRestoration, 1660-1700History and criticismEnglish drama18th centuryHistory and criticismAesthetics, Modern17th centuryAesthetics, Modern18th centuryEnglish dramaHistory and criticism.English dramaHistory and criticism.Aesthetics, ModernAesthetics, Modern822/.4/09384Zimbardo Rose A.193416MiAaPQMiAaPQMiAaPQBOOK9910787475503321A mirror to nature3715757UNINA