02638nam 2200601Ia 450 991078731950332120230408011730.00-85785-214-00-85785-213-2(CKB)2670000000402462(EBL)1335917(OCoLC)855504766(SSID)ssj0001076343(PQKBManifestationID)11610816(PQKBTitleCode)TC0001076343(PQKBWorkID)11027634(PQKB)10147934(MiAaPQ)EBC1335917(Au-PeEL)EBL1335917(CaPaEBR)ebr10736587(CaONFJC)MIL604213(MiAaPQ)EBC6161902(Au-PeEL)EBL6161902(OCoLC)1151192879(EXLCZ)99267000000040246220111215d2012 uy 0engur|n|---|||||txtccrFashion and art[electronic resource] /edited by Adam Geczy and Vicki KaraminasLondon ;New York Berg20121 online resource (259 p.)Description based upon print version of record.1-84788-783-X Includes bibliographical references and index.Cover; Contents; List of Plates; Acknowledgments; List of Contributors; Fashion and Art: Critical Crossovers; 1 Fashion; 2 Art; 3 Aesthetics; 4 Modernity; 5 Conceptual Fashion; 6 Body; 7 Beauty; 8 Boundaries; 9 Authenticity; 10 Performance; 11 Dressing Up; 12 Clothing; 13 Patronage; 14 Painting; 15 Image; 16 Exhibition; 17 Curating an ExhibitionFor at least two centuries, fashion and art have maintained a competitive love-hate relationship. Both fashion and art construct imaginary worlds, and use a language of style to invigorate beliefs, perceptions and ideas. Until now the crossovers of fashion and art have received only scattered treatment and suffered from a dearth of theorization. As an attempt to theorize the area, this collection of new and updated essays is the most well-rounded and authoritative to date. Some of the world's foremost scholars in the field are assembled here to explore the art-fashion nexus in numerous ways: fFashion and artFashionHistoryFashion and art.FashionHistory.391.001Geczy Adam1056086Karaminas Vicki974504MiAaPQMiAaPQMiAaPQBOOK9910787319503321Fashion and art3862773UNINA