02649nam 2200577 450 991078713670332120200903223051.00-8389-5935-0(CKB)3710000000272518(EBL)1832183(SSID)ssj0001410252(PQKBManifestationID)11840968(PQKBTitleCode)TC0001410252(PQKBWorkID)11373858(PQKB)10823847(MiAaPQ)EBC1832183(Au-PeEL)EBL1832183(CaPaEBR)ebr10985075(OCoLC)894792114(PPN)181975149(EXLCZ)99371000000027251820141122h20142014 uy 0engur|n|---|||||txtccrDigital media labs in libraries /Amanda L. GoodmanChicago, Illinois :ALA TechSource,2014.©20141 online resource (45 p.)Library Technology Reports,0024-2586 ;Volume 50, Number 6Description based upon print version of record.0-8389-5934-2 Cover; Digital Media Labs in Libraries; Contents; Chapter 1: The Library Context for Digital Media Labs; What Is a Digital Media Lab?; Criteria of a DML; Why Communities Need DMLs; DMLs as Whole-Library Efforts; Funding; DMLs of Different Sizes; Notes; Chapter 2: Equipment and Software; Tracking Your Project; The Room; Computer; Audio; Converting Analog to Digital ; Coding; Graphic Design and Animation; Photography; 2-D Printing; 3-D Printing; Screen Capture; Videography; Maintenance; Notes; Chapter 3: Training and Policies; Staff Training; Patron Education; Policies and LiabilityQuestions to ConsiderNotes; Chapter 4: Library Digital Media Lab Profiles; DesignLab; Studio 300; The Bubbler; Studio i; Teen Media Lab; NotesFamilies share stories with each other and veterans reconnect with their comrades, while teens edit music videos and then upload them to the web: all this and more can happen in the digital media lab (DML)Library technology reports ;Volume 50, Number 6.Multimedia library servicesUnited StatesMultimedia systemsLibrary resourcesMultimedia library servicesMultimedia systemsLibrary resources.025.17Goodman Amanda L.1566025MiAaPQMiAaPQMiAaPQBOOK9910787136703321Digital media labs in libraries3836270UNINA04462nam 2200841 a 450 991096625150332120251116202401.01-138-62070-X1-351-14843-51-351-14844-31-351-14842-71-281-33272-097866113327230-7546-9354-60-7546-9288-410.4324/9781351148443(CKB)1000000000401039(EBL)438578(OCoLC)560657022(SSID)ssj0000253131(PQKBManifestationID)11217053(PQKBTitleCode)TC0000253131(PQKBWorkID)10180711(PQKB)10491020(MiAaPQ)EBC438578(MiAaPQ)EBC5228925(Au-PeEL)EBL438578(CaPaEBR)ebr10228276(CaONFJC)MIL133272(OCoLC)1019716347(EXLCZ)99100000000040103920070514d2008 uy 0engurcn|||||||||txtccrStyle and the nineteenth-century British critic sincere mannerisms /Jason CamlotFirst edition.Aldershot, England ;Burlington, VT Ashgatec20081 online resource (207 p.)The nineteenth centuryDescription based upon print version of record.0-8153-9723-2 0-7546-5311-0 Includes bibliographical references (p. [171]-183) and index.Introduction : sincere mannerisms -- The character of the periodical press -- The origins of modern earnest -- The downfall of authority and the new magazine -- Thomas de Quincey's periodical rhetoric -- The political economy of style : John Ruskin and critical truth -- The Victorian critic as naturalizing agent -- The style is the man : style theory in the 1890s."In analyzing the nonfiction works of writers such as John Wilson, J. S. Mill, De Quincy, Ruskin, Arnold, Pater, and Wilde, Jason Camlot provides an important context for the nineteenth-century critic's changing ideas about style, rhetoric, and technologies of communication. In particular, Camlot contributes to our understanding of how new print media affected the Romantic and Victorian critic's sense of self, as he elaborates the ways nineteenth-century critics used their own essays on rhetoric and stylistics to speculate about the changing conditions for the production and reception of ideas and the formulation of authorial character. Camlot argues that the early 1830s mark the moment when a previously coherent tradition of pragmatic rhetoric was fragmented and redistributed into the diverse, localized sites of an emerging periodicals market. Publishing venues for writers multiplied at midcentury, establishing a new stylistic norm for criticism-one that affirmed style as the manifestation of English discipline and objectivity. The figure of the professional critic soon subsumed the authority of the polyglot intellectual, and the later decades of the nineteenth century brought about a debate on aesthetics and criticism that set ideals of Saxon-rooted 'virile' style against more culturally inclusive theories of expression."--Provided by publisher.Nineteenth century (Aldershot, England)Style and the 19th-century British criticEnglish prose literature19th centuryHistory and criticismCriticismGreat BritainHistory19th centuryPeriodicalsPublishingGreat BritainHistory19th centuryEnglish language19th centuryRhetoricEnglish language19th centuryStyleLiterary styleHistory19th centuryMannerism (Literature)English prose literatureHistory and criticism.CriticismHistoryPeriodicalsPublishingHistoryEnglish languageRhetoric.English languageStyle.Literary styleHistoryMannerism (Literature)828/.80809Camlot Jason1967-1872766MiAaPQMiAaPQMiAaPQBOOK9910966251503321Style and the nineteenth-century British critic4482556UNINA