02445nam 2200505 450 991078688620332120170822104601.01-61149-533-41-61149-433-8(CKB)3710000000223501(EBL)1767222(OCoLC)888347857(SSID)ssj0001288911(PQKBManifestationID)12444091(PQKBTitleCode)TC0001288911(PQKBWorkID)11294550(PQKB)11363214(MiAaPQ)EBC1767222(EXLCZ)99371000000022350120140830h20142014 uy 0engur|n|---|||||txtccrGeorge Moore influence and collaboration /edited by Ann Heilmann and Mark Llewellyn ; contributors, Kirsti Bohata [and twelve others]Lanham, Maryland ;London, England :University of Delaware Press,2014.©20141 online resource (312 p.)Includes index.1-322-06502-0 1-61149-432-X Contents; Acknowledgments; Introduction; I: Influence; 1 The Fin de Siècle Meets French Realism; 2 "A Visit to an Impressionist Exhibition" in Moore's Confessions of a Young Man; 3 Moore's Music; 4 "Literature at Nurse"; 5 "The sort of girl I'd like to see behind the bar at the King's Head"; 6 Alice Barton; 7 "Not fitted for marriage"; 8 Gossip, Art, and the Public Secret; 9 Readers, Writers, and Friends; 10 Celtic Cousins?; 11 Moore, Wagnerism, and the Shape of the Later Career; II: Collaboration; Co-Authorship, Desire, and Conflict; The Fool's Hour: A Play; Journeys End in Lovers MeetingIndexAbout the Contributors<span><span style=""font-style:italic;"">George Moore: Influence and Collaboration</span><span> explores in sustained form for the first time the nature of Moore's interactions with other European writers and artists of the fin de siècle. This book explores the full range of Moore's collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London.</span></span>823.8Heilmann AnnLlewellyn Mark1979-MiAaPQMiAaPQMiAaPQBOOK9910786886203321George Moore947226UNINA