02604nam 2200517Ia 450 991078687190332120230803030313.01-62103-950-1(CKB)2670000000370836(EBL)1113427(MiAaPQ)EBC1113427(OCoLC)817736883(MdBmJHUP)muse25706(Au-PeEL)EBL1113427(CaPaEBR)ebr10716538(CaONFJC)MIL838049(EXLCZ)99267000000037083620111102d2013 uy 0engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierScotty and Elvis[electronic resource] aboard the mystery train /Scotty Moore with James L. DickersonJackson, MS University Press of Mississippi20131 online resource (297 p.)American made music seriesDescription based upon print version of record.1-61703-818-0 Includes discography.Includes bibliographical references and index.Digging up West Tennessee roots -- Slow boat out of China -- Doing the Memphis thang -- The sun rises on the Blue Moon Boys -- Hitting pay dirt -- On the road with Elvis -- Scripting the movie years -- Tragedy is a revolving door -- My first album with royalties -- A farewell performance -- Ringo, Tracy, and a cast of thousands -- On the road again -- Jamming with a Rolling Stone -- I'm pretty much still here, I guess -- Happy birthday to me.When Elvis Presley first showed up at Sam Phillips's Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special. Along with bass player Bill Black, the trio recorded an old blues number called ""That's All Right, Mama."" It turned out to be Elvis's first single and the defining record of his early style, with a trilling guitar hook that swirled country and blues together and minted a sound with unforgettableAmerican Made Music SeriesGuitaristsUnited StatesBiographyGuitarists787.87166092Moore Scotty1532365Dickerson James1532366MiAaPQMiAaPQMiAaPQBOOK9910786871903321Scotty and Elvis3778499UNINA