04446nam 2200697 450 991078679040332120230803203743.00-292-76833-810.7560/757936(CKB)3710000000202113(EBL)3571784(SSID)ssj0001267503(PQKBManifestationID)11830560(PQKBTitleCode)TC0001267503(PQKBWorkID)11264576(PQKB)11483849(MiAaPQ)EBC3571784(OCoLC)884280130(MdBmJHUP)muse37786(Au-PeEL)EBL3571784(CaPaEBR)ebr10896796(DE-B1597)588593(OCoLC)1280944168(DE-B1597)9780292768338(EXLCZ)99371000000020211320140726h20142014 uy 0engur|n|---|||||txtccrArgentine, Mexican, and Guatemalan photography feminist, queer, and post-masculinist perspectives /David William FosterFirst edition.Austin, Texas :University of Texas Press,2014.©20141 online resource (218 p.)Description based upon print version of record.0-292-75793-X Includes bibliographical references and index.""contents""; ""Preface""; ""1. Dreaming in Feminine: Grete Stern's Photomontages and the Parody of Psychoanalysis""; ""2. Annemarie Heinrich: Photography, Women's Bodies, and Semiotic Excess""; ""3. Woman, Prostitution, and Modernity in Fin-de-siècle Mexico""; ""4 . Buenos Aires and Women in Crisis: The Photography of Silvina Frydlewsky""; ""5. Girls Will Be Girls: Daniela Rossell's Ricas y famosas""; ""6. Pedro Meyer: Constructing Masculinities, Constructing Photography""; ""7. Discovering the Male Body: Marcos Zimmermann's Desnudos sudamericanos""One of the important cultural responses to political and sociohistorical events in Latin America is a resurgence of urban photography, which typically blends high art and social documentary. But unlike other forms of cultural production in Latin America, photography has received relatively little sustained critical analysis. This pioneering book offers one of the first in-depth investigations of the complex and extensive history of gendered perspectives in Latin American photography through studies of works from Argentina, Mexico, and Guatemala. David William Foster examines the work of photographers ranging from the internationally acclaimed artists Graciela Iturbide, Pedro Meyer, and Marcos López to significant photographers whose work is largely unknown to English-speaking audiences. He grounds his essays in four interlocking areas of research: the experience of human life in urban environments, the feminist matrix and gendered cultural production, Jewish cultural production, and the ideological principles of cultural works and the connections between the works and the sociopolitical and historical contexts in which they were created. Foster reveals how gender-marked photography has contributed to the discourse surrounding the project of redemocratization in Argentina and Guatemala, as well as how it has illuminated human rights abuses in both countries. He also traces photography’s contributions to the evolution away from the masculinist-dominated post–1910 Revolution ideology in Mexico. This research convincingly demonstrates that Latin American photography merits the high level of respect that is routinely accorded to more canonical forms of cultural production.PhotographyLatin AmericaPhotography, ArtisticPortrait photographyLatin AmericaGender identityLatin AmericaGender identity in artGraciela Iturbide, Pedro Meyer, Marcos López, Latin American photography, photography in Argentina.PhotographyPhotography, Artistic.Portrait photographyGender identityGender identity in art.770.98Foster David William175435MiAaPQMiAaPQMiAaPQBOOK9910786790403321Argentine, Mexican, and Guatemalan photography3762341UNINA