02776nam 2200613 450 991078677220332120230803203757.01-78320-353-6(CKB)3710000000203871(EBL)1747046(SSID)ssj0001414882(PQKBManifestationID)11933847(PQKBTitleCode)TC0001414882(PQKBWorkID)11440052(PQKB)11532994(MiAaPQ)EBC1747046(Au-PeEL)EBL1747046(CaPaEBR)ebr10899596(CaONFJC)MIL884544(OCoLC)892699292(EXLCZ)99371000000020387120140807h20142014 uy 0engurcnu||||||||txtccrSome wear leather, some wear lace a worldwide compendium of postpunk and goth in the 1980s /Andi Harriman, Marloes Bontje ; cover designer and typesetting, Stephanie Sarlos ; production manager, Bethan BallBristol, England ;Chicago, Illinois :Intellect Ltd.,2014.©20141 online resource (218 p.)Description based upon print version of record.1-78320-352-8 Front Cover; Half-title; Copyright; Title; Contents; INTRO; ATMOSPHERE; Kings of the Wild Frontier; Places: Scandinavia; A New Dark Age; Places: Behind the Iron Curtain; Everyday is Halloween; This Corrosion; Memorabilia; A NEW FORM OF BEAUTY; Spirit (We love our audience!); Painted Bird; Places: Japan; Like Cockatoos; Places: Grufti Nation; Promised Land; Places: The Netherlands; Face to Face; MEAT OF YOUTH; Photo Collections; I. Style: Creatures of the Night; II. La Movida: New Cultural Identity; III. Boredom of Life: Spheres and Sentiments; IV. To the Batcave!; V. Shot!: Becoming HistoryWinklepickers THE LAST SONG; Acknowledgements; Back CoverIt was a scene that had many names: some original members referred to themselves as punks, others new romantics, new wavers, the bats, or the morbids. 'Goth' did not gain lexical currency until the late 1980's.Music tradePopular musicHistory and criticismPopular musicAnalysis, appreciationMusic trade.Popular musicHistory and criticism.Popular musicAnalysis, appreciation.338.4778Harriman Andi1504219Bontje MarloesSarlos StephanieBall BethanMiAaPQMiAaPQMiAaPQBOOK9910786772203321Some wear leather, some wear lace3733102UNINA