02562nam 2200589Ia 450 991078625040332120230725035354.01-4438-2598-0(CKB)2670000000341200(EBL)1133182(OCoLC)830167588(SSID)ssj0000943806(PQKBManifestationID)11473532(PQKBTitleCode)TC0000943806(PQKBWorkID)10977674(PQKB)10332121(MiAaPQ)EBC1133182(Au-PeEL)EBL1133182(CaPaEBR)ebr10676965(CaONFJC)MIL495923(OCoLC)1230506218(FINmELB)ELB144588(EXLCZ)99267000000034120020100726d2010 uy engur|n|---|||||txtccrChoral music and songs[electronic resource] /Giacomo Meyerbeer ; introduced and edited by Robert Ignatius LetellierNewcastle upon Tyne Cambridge Scholars20101 online resource (162 p.)Historical notes and texts precede score.1-4438-2271-X TABLE OF CONTENTS; INTRODUCTION; BUNDESLIED; FREUNDSCHAFT; DEM VATERLANDE; DIE LUSTIGEN JAGERSLEUT; SERENADE: "ADIEU AUX JEUNES MARIES"; DER WANDERER UND DIE GEISTER AN BEETHOVENS GRABE; DAS LIED VOM BLINDEN HESSEN; HIRTENLIED; "PRES DE TOI"; MURILLO 1 (FOR LOW VOICE); MURILLO 2 (FOR HIGH VOICE); "A VENEZIA" (BARCAROLE)This second volume of Meyerbeer's non-operatic work is devoted to his secular choral writing for male voices, solo songs with chorus, and later songs with instrumental obbligato and local colour. Choral writing-so much part of the operatic tradition, also germane to religious music, and integral to the public music of celebration-is fundamental to the next genre Meyerbeer wrote for, the part-song, a typical German tradition. Meyerbeer's part-songs for male chorus, most of which were provided...Vocal musicScoresVocal musicTextsVocal musicHistory and criticismVocal musicVocal musicVocal musicHistory and criticism.782.1092Meyerbeer Giacomo1791-1864.744637Letellier Robert Ignatius679460MiAaPQMiAaPQMiAaPQBOOK9910786250403321Choral music and songs3812688UNINA