04462oam 2200709I 450 991078609740332120230808211309.01-315-43023-11-315-43024-X1-315-43025-81-61132-203-010.4324/9781315430256 (CKB)2670000000316665(EBL)1106829(OCoLC)823721309(SSID)ssj0000803532(PQKBManifestationID)11488885(PQKBTitleCode)TC0000803532(PQKBWorkID)10811499(PQKB)11278125(MiAaPQ)EBC1106829(Au-PeEL)EBL1106829(CaPaEBR)ebr10643047(CaONFJC)MIL932605(OCoLC)954006797(EXLCZ)99267000000031666520180706e20162012 uy 0engurcn|||||||||txtccrDocumentary filmmaking for archaeologists /Peter Pepe and Joseph W. ZarzynskiLondon ;New York :Routledge,2016.1 online resource (231 p.)First published 2012 by Left Coast Press, Inc.1-61132-201-4 1-61132-202-2 Includes bibliographical references and index.Contents; Illustrations; Acknowledgments; Introduction; Chapter 1: Forming the Archaeologist/Documentary Filmmaker Team; Chapter 2: A Brief History of the Documentary Film Genre; Chapter 3: The Introduction of Home Video, Television, and Documentary Film making; Chapter 4: Production Equipment and Screen and Standards Formats; Chapter 5: The Popularity of Documentaries; Chapter 6: The Stages of Documentary Film Production; Chapter 7: Considering Making a Documentary-Your Idea and Title; Chapter 8: Pitching a Proposal and Writing a TreatmentChapter 9: Developing a Budget and Securing a Contract Chapter 10: Shaping Your Archaeological Documentary; Chapter 11: From Outline to First Script; Chapter 12: Pre-production-Production Costs, Funding, Assembling the Crew, Compiling the Shot List, and On and On; Chapter 13: The Art of the Interview and B-roll; Chapter 14: Work Following the Interviews and B-roll; Chapter 15: Choosing the Narrator and Other Voice Talent; Chapter 16: Shot Making; Chapter 17: Shooting Reenactments for Your DocumentaryChapter 18: Using Still Photography, Historic Film Footage, Illustrations, Maps, Historic Newspapers, and Animation Chapter 19: Post production and Editing; Chapter 20: Thoughts on the Beginning and the End of Your Documentary Film; Chapter 21: The Digital Revolution and Its Role in Documentary Film making; Chapter 22: Television, Theatrical Release, Finding a Distributor, Self-Distribution, and Other Outlets; Chapter 23: Promoting Your Documentary; Chapter 24: Documentaries in Miniature; Chapter 25: Creating Your Trailer; Chapter 26: Conclusion; Appendix 1: Sample Documentary ProposalAppendix 2: Documentary Treatment Appendix 3: The Lost Radeau Video Script; Appendix 4: Simplified Sample Budget Outline; Glossary; References; Index; About the AuthorsDocumentary film maker Peter Pepe and historical archaeologist Joseph W. Zarzynski provide a concise guide to film making designed to help archaeologists navigate the unfamiliar world of documentary film. They offer a step-by-step description of the process of making a documentary, everything from initial pitches to production companies to final cuts in the editing. Using examples from their own award-winning documentaries, they focus on the needs of the archaeologist: Where do you fit in the project? What is expected of you? How can you help your documentarian partner? The authors provideMotion pictures in archaeologyArchaeologyMethodologyDocumentary filmsProduction and directionMotion pictures in archaeology.ArchaeologyMethodology.Documentary filmsProduction and direction.070.1070.1/8070.18Pepe Peter1952-,1548393Zarzynski Joseph W1548394MiAaPQMiAaPQMiAaPQBOOK9910786097403321Documentary filmmaking for archaeologists3805381UNINA