03382nam 22007093u 450 991045743240332120210107014321.01-283-31459-2978661331459890-272-8158-0(CKB)2550000000064023(EBL)794779(OCoLC)759101574(SSID)ssj0000633603(PQKBManifestationID)11389696(PQKBTitleCode)TC0000633603(PQKBWorkID)10632875(PQKB)11581427(MiAaPQ)EBC794779(EXLCZ)99255000000006402320130418d1975|||| u|| |engur|n|---|||||txtccrComponential Analysis of Lushai Phonology[electronic resource]Amsterdam/Philadelphia John Benjamins Publishing Company19751 online resource (153 p.)Amsterdam studies in the theory and history of linguistic science : series 4, Current issues in linguistic theoryDescription based upon print version of record.90-272-0903-0 COMPONENTIAL ANALYSIS; Editorial page; Title page; Copyright page; PREFACE; Table of contents; 0.0. INTRODUCTION; 1.0. PHONOLOGICAL EXTENSION SYSTEMS; 2.0. MONOMORPHEMIC COMPONENTIAL PHONOLOGY; 3.0. POLYMORPHEMIC COMPONENTIAL PHONOLOGY; 4.0. FURTHER ISSUES CONCERNING THE APPLICATION OF RULES; 5.0. SUMMARY; FOOTNOTES; REFERENCES; INDEXOF TECHNICAL TERThe aim of this essay is to present a phonological analysis of Lushai, a Tibeto-Burman language spoken in the Mizoram province of India, in terms of componential features applying - as mutation rules - to the morphophonological level. An analysis of this nature becomes possible if the concepts of phonological extension systems and redundancy-free representations are introduced. Alongside with the phonemic aspect, a semantic analysis of morpheme structure is required yielding the smallest significant units at different morphological or syntactic levels. Though based on criteria implying conceptAmsterdam studies in the theory and history of linguistic science.Series IV,Current issues in linguistic theoryComponential analysis (Linguistics)Lushai language -- Grammar, GenerativeLushai language -- PhonologyLushai languagePhonologyLushai languageGrammar, GenerativeComponential analysis (Linguistics)Languages & LiteraturesHILCCEast Asian Languages & LiteraturesHILCCElectronic books.Componential analysis (Linguistics).Lushai language -- Grammar, Generative.Lushai language -- Phonology.Lushai languagePhonologyLushai languageGrammar, GenerativeComponential analysis (Linguistics)Languages & LiteraturesEast Asian Languages & Literatures495495.4Weidert Alfons653950AU-PeELAU-PeELAU-PeELBOOK9910457432403321Componential analysis of Lushai phonology1169502UNINA03730nam 2200697 a 450 991078609620332120230120053408.01-62103-917-X(CKB)2670000000316630(EBL)1105984(OCoLC)823722852(SSID)ssj0000804246(PQKBManifestationID)11517462(PQKBTitleCode)TC0000804246(PQKBWorkID)10814320(PQKB)10785661(StDuBDS)EDZ0000204121(OCoLC)791492812(MdBmJHUP)muse25635(Au-PeEL)EBL1105984(CaPaEBR)ebr10643106(Au-PeEL)EBL4977797(CaONFJC)MIL423742(MiAaPQ)EBC1105984(MiAaPQ)EBC4977797(EXLCZ)99267000000031663020120425d2013 uy 0engur|n|---|||||txtccrVisionary women writers of Chicago's Black Arts Movement[electronic resource] /Carmen L. PhelpsJackson University Press of Mississippic20131 online resource (195 p.)Margaret Walker Alexander Series in African American StudiesMargaret Walker Alexander series in African American studiesDescription based upon print version of record.1-61703-680-3 Includes bibliographical references and index.Cover; Contents; Introduction: The Black Arts Movement: Let Me Count the Ways; Chapter One: Dysfunctional Functionality: Collaboration at Its Best in the Black Arts Era; Chapter Two: Women Writing Kinship in Chicago's Black Arts Movement; Chapter Three: Mirrors of Deception: Invisible, Untouchable, Beautiful Blackness in Johari Amini's Black Art; Chapter Four: Muddying Clear Waters: Carolyn Rodgers's Black Art; Chapter Five: Building a Home, Building a Nation: Family in the City and Beyond in Angela Jackson's Black ArtChapter Six: Mixing Metaphors: Spirituality, Environmentalism, and Dystopia in Carolyn Rodgers's and Angela Jackson's Postrace Black ArtConclusion: You Remind Me . . . "Post-BAM/Soul" Reflections; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; X A disproportionate number of male writers, including such figures as Amiri Baraka, Larry Neal, Maulana Karenga, and Haki Madhubuti, continue to be credited for constructing the iconic and ideological foundations for what would be perpetuated as the Black Art Movement. Though there has arisen an increasing amount of scholarship that recognizes leading women artists, activists, and leaders of this period, these new perspectives have yet to recognize adequately the ways women aspired to far more than a mere dismantling of male-oriented ideals. In Visionary Women Writers of ChicMargaret Walker Alexander Series in African American StudiesAmerican literatureAfrican American authorsHistory and criticismAfrican American women authorsBlack Arts movementAfrican American arts20th centuryAmerican literatureAfrican American authorsHistory and criticism.African American women authors.Black Arts movement.African American arts810.9/928708996073Phelps Carmen L1548386MiAaPQMiAaPQMiAaPQBOOK9910786096203321Visionary women writers of Chicago's Black Arts Movement3805370UNINA