00815cam0 2200265 450 E60020006171620210412091117.020100316d1985 |||||ita|0103 bafreFRSocrateFrancis WolffParisPresse universitaires de France1985128 p.18 cmPhilosophies001LAEC000272012001 *PhilosophiesWolff, FrancisA600200060483070775350ITUNISOB20210412RICAUNISOBUNISOB10047147E600200061716M 102 Monografia moderna SBNM100003681Si47147acquistomassimoUNISOBUNISOB20100316084549.020210412091105.0AlfanoSocrate1705615UNISOB03268oam 22006374a 450 991078606660332120210209174531.01-55458-910-X1-55458-908-8(CKB)2670000000317060(EBL)685684(OCoLC)756484094(SSID)ssj0001413134(PQKBManifestationID)11890972(PQKBTitleCode)TC0001413134(PQKBWorkID)11416116(PQKB)10486171(CEL)446050(OCoLC)881552241(CaBNVSL)slc00234437(MiAaPQ)EBC3292829(OCoLC)836189600(MdBmJHUP)muse28553(MiAaPQ)EBC685684(EXLCZ)99267000000031706020130403e20131980 uy 0engur|n|---|||||txtccrNarcissistic Narrative[electronic resource] The Metafictional Paradox /Linda HutcheonWaterloo, Ontario, Canada :Wilfrid Laurier University Press,[2013]©2013Beaconsfield, Quebec :Canadian Electronic Library,2014.1 online resource (182 p.)Originally published: Waterloo, Ontario, Canada : Wilfrid Laurier University Press, ©1980. This edition includes a new preface.1-55458-502-3 Includes bibliographical references and index.Preface -- Introduction -- Modes & Forms of Narrative Narcissism: Introduction of a Typology -- Process & Product: The Implications of Metafiction for the Theory of the Novel as a Mimetic Genre -- Thematizing Narrative Artifice: Parody, Allegory, & the Mise En Abyme -- Freedom Through Artifice: The French Lieutenants Woman -- Actualizing Narrative Structures: Detective Plot, Fantasy, Games, & the Erotic -- The Language of Fiction: Creating the Heterocosm of Fictive Referents -- The Theme of Linguistic identity: La Maccina Modiale -- Generative Word Play: The Outer Limits of the Novel Genre -- Composite Identity: The Reader, the Writer, the Critic -- Conclusion & Speculations. Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory. Having placed this phenomenon in its historical context Linda Hutcheon uses the insights of various reader-response theories to explore the "paradox" created by metafiction: the reader is, at the same time, co-creator of the selFictionTechniqueFiction20th centuryHistory and criticismElectronic books. FictionTechnique.FictionHistory and criticism.809.3809.3/04809.304Hutcheon Linda1947-165517MdBmJHUPMdBmJHUPBOOK9910786066603321Narcissistic narrative143941UNINA