03187oam 2200625I 450 991078602060332120230617031932.01-136-80136-71-136-80137-51-283-96526-70-203-82744-910.4324/9780203827444 (CKB)2670000000328539(EBL)672510(OCoLC)826487017(SSID)ssj0000852666(PQKBManifestationID)11446106(PQKBTitleCode)TC0000852666(PQKBWorkID)10864478(PQKB)11152640(MiAaPQ)EBC672510(Au-PeEL)EBL672510(CaPaEBR)ebr10648686(CaONFJC)MIL427776(OCoLC)900420242(EXLCZ)99267000000032853920180331d2003 uy 0engur|n|---|||||txtccrArt after appropriation essays on art in the 1990s /John C. WelchmanLondon :G+B Arts International,2003.1 online resource (305 p.)Description based upon print version of record.1-138-13923-8 90-5701-043-7 Includes bibliographical references and index.Cover; Art After Appropriation; Title Page; Copyright Page; Table of Contents; IntroductionGlobal Nets: Appropriation and Postmodernity; Chapter 1 Photographies, Counter-revolution and Second Worlds: Allegories by Design, 1989; Chapter 2 Photographies, Counter-revolution and Second Worlds: Releases and Counter-appropriations, 1989; Chapter 3 New Bodies: The Medical Venus and the Techno-grotesque, 1993-1994; Chapter 4 Faces, Boxes and The Moves: On Travelling Video Cultures, 1993; Chapter 5 Public Art and the Spectacle of Money: On Art Rebate/ Arte Reembolso, 1993Chapter 6 'Peeping Over the Wall': Narcissism in the 1990s, 1995Chapter 7 Parametrology: From the White Cube to the Rainbow Net, 1996; Chapter 8 Culture/Cuts: Post-appropriation in the Work of Cody Hyun Choi, 1998; Chapter 9 Some Horizons of Medialisation: The Rainbow Net, 1999; IndexBeginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999. The opening chapters show how the Second World culture of the USSR gave rise to a new visibility for photography during the dissolution of the Soviet Union around 1989. Welchman examines how genres of ethnography, documentary and travel are crossed with ficArt, Modern20th centuryAppropriation (Art)Art, ModernAppropriation (Art)709/.049Welchman John C.442362MiAaPQMiAaPQMiAaPQBOOK9910786020603321Art after appropriation98742UNINA