03938oam 2200709I 450 991078571110332120230919231729.01-283-91961-30-203-08514-01-136-19616-110.4324/9780203085141(CKB)2670000000315273(EBL)1104771(OCoLC)823389983(SSID)ssj0000803836(PQKBManifestationID)12380925(PQKBTitleCode)TC0000803836(PQKBWorkID)10811928(PQKB)11428704(MiAaPQ)EBC1104771(Au-PeEL)EBL1104771(CaPaEBR)ebr10641671(CaONFJC)MIL423211(OCoLC)823041410(FINmELB)ELB135141(EXLCZ)99267000000031527320180706d2013 uy 0engur|n|---|||||txtccrBollywood and globalisation the global power of popular Hindi cinema /edited by David J. Schaefer and Kavita KaranNew York :Routledge,2013.1 online resource (207 p.)Routledge contemporary South Asia series ;63Routledge contemporary South Asia series ;63Description based upon print version of record.0-415-62523-8 Includes bibliographical references and index.pt. I. Transcultural contexts and soft power -- pt. II. Cinematic content and soft power -- pt. III. Cinematic soft power and audiences."The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences. Adopting a critical-transcultural framework that examines the complex power relations that are manifested through globalized production and consumption practices, the book approaches the study of popular Hindi cinema from three broad perspectives: transcultural production contexts, content trends, and audiences. It firstly outlines the theoretical issues relevant to the spread of popular Indian cinema and emergence of India's growing soft power. The book goes on to report on a series of quantitative studies that examine the patterns of geographical, cultural, political, infrastructural, and artistic power dynamics at work within the highest-grossing popular Hindi films over a 61-year period since independence. Finally, an additional set of studies are presented that quantitatively examine Indian and North American audience consumption practices. The book illuminates issues related to the actualization and maintenance of cinematic soft power dynamics, highlighting Bollywood's increasing integration into and subsumption by globalized practices that are fundamentally altering India's cinematic landscape and, thus, its unique soft power potential. It is of interest to academics working in Film Studies, Globalisation Studies, and International Relations"--Provided by publisher.Routledge Contemporary South Asia SeriesMotion picturesIndiaMotion picture industryIndiaMotion pictures and globalizationIndiaCulture in motion picturesMotion picturesMotion picture industryMotion pictures and globalizationCulture in motion pictures.791.430954SOC000000bisacshKaran Kavita1567982Schaefer David J1567983MiAaPQMiAaPQMiAaPQBOOK9910785711103321Bollywood and globalisation3839803UNINA01060nam0 22002531i 450 UON0010617220231205102616.2020020107d1982 |0itac50 baengUS|||| 1||||Maroccan dialoguesanthropology in question (includes dialogues between Kevin Dwyer and Faqir Muhammad)Kevin DwyerBaltimoreJohn Hopkins University Press1982XXVII, 297 p.24 cmUSBaltimore, MarylandUONL001567MAR XIVMAROCCO - ANTROPOLOGIA, ETNOGRAFIA, ETNOLOGIA, FOLKLORE, SPORTADWYERKevinUONV067721665344Johns Hopkins University PressUONV246657650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00106172SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI MAR XIV 003 SI SA 36759 5 003 Maroccan dialogues1306192UNIOR