02842oam 2200685I 450 991078554540332120230801224122.01-136-24143-41-283-58626-697866138987150-203-10272-X1-136-24144-210.4324/9780203102725 (CKB)2670000000237934(EBL)1016093(OCoLC)810275263(SSID)ssj0000704389(PQKBManifestationID)11450656(PQKBTitleCode)TC0000704389(PQKBWorkID)10704958(PQKB)10321076(MiAaPQ)EBC1016093(Au-PeEL)EBL1016093(CaPaEBR)ebr10596195(CaONFJC)MIL389871(FINmELB)ELB137491(EXLCZ)99267000000023793420180706d2012 uy 0engur|n|---|||||txtccrAesthetics after metaphysics from mimesis to metaphor /Miguel de BeisteguiNew York :Routledge,2012.1 online resource (208 p.)Routledge studies in contemporary philosophy ;40Routledge studies in contemporary philosophy ;40Description based upon print version of record.1-138-92146-7 0-415-53962-5 Includes bibliographical references (p. [175]-195) and index.Aesthetics and metaphysics I: the mimetic schema -- Aesthetics and metaphysics II: from Kant to Adorno -- Aesthetics at the limit of metaphysics: intimations of the hypersensible -- Metaphor beyond metaphysics? -- Literature: Proust, Hölderlin -- Sculpture: Chillida.This book focuses on a dimension of art which the philosophical tradition (from Plato to Hegel and even Adorno) has consistently overlooked, such was its commitment - explicit or implicit - to mimesis and the metaphysics of truth it presupposes. De Beistegui refers to this dimension, which unfolds outside the space that stretches between the sensible and the supersensible - the space of metaphysics itself - as the hypersensible and show how the operation of art to which it corresponds is best described as metaphorical. The movement of the book, then, is from the cRoutledge Studies in Contemporary PhilosophyAestheticsMetaphysicsMetaphorAesthetics.Metaphysics.Metaphor.111/.85Beistegui Miguel de1966-,849068MiAaPQMiAaPQMiAaPQBOOK9910785545403321Aesthetics after metaphysics3735063UNINA