03718nam 2200649Ia 450 991045931340332120200520144314.01-282-71074-597866127107420-226-51965-110.7208/9780226519654(CKB)2670000000034632(EBL)570553(OCoLC)658193428(SSID)ssj0000427584(PQKBManifestationID)11319467(PQKBTitleCode)TC0000427584(PQKBWorkID)10413402(PQKB)10264128(MiAaPQ)EBC570553(DE-B1597)535697(OCoLC)1135611208(DE-B1597)9780226519654(Au-PeEL)EBL570553(CaPaEBR)ebr10408912(CaONFJC)MIL271074(EXLCZ)99267000000003463219871028d1987 uy 0engur|n|---|||||txtccrSalome and the dance of writing[electronic resource] portraits of mimesis in literature /Françoise MeltzerChicao University of Chicago Press19871 online resource (239 p.)Description based upon print version of record.0-226-51972-4 0-226-51971-6 Includes bibliographical references and index.Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Salome and the Dance of Writing -- 2. The Spearpoint of Troilus -- 3. The Golden Calf and the Golden Ass -- 4. Still Life -- 5. Sleight of Hand -- Echoes -- IndexHow does literature imagine its own powers of representation? Françoise Meltzer attempts to answer this question by looking at how the portrait-the painted portrait, framed-appears in various literary texts. Alien to the verbal system of the text yet mimetic of the gesture of writing, the textual portrait becomes a telling measure of literature's views on itself, on the politics of representation, and on the power of writing. Meltzer's readings of textual portraits-in the Gospel writers and Huysmans, Virgil and Stendhal, the Old Testament and Apuleius, Hawthorne and Poe, Kafka and Rousseau, Walter Scott and Mme de Lafayette-reveal an interplay of control and subversion: writing attempts to veil the visual and to erase the sensual in favor of "meaning," while portraiture, with its claims to bringing the natural object to "life," resists and eludes such control. Meltzer shows how this tension is indicative of a politics of repression and subversion intrinsic to the very act of representation. Throughout, she raises and illuminates fascinating issues: about the relation of flattery to caricature, the nature of the uncanny, the relation of representation to memory and history, the narcissistic character of representation, and the interdependency of representation and power. Writing, thinking, speaking, dreaming, acting-the extent to which these are all controlled by representation must, Meltzer concludes, become "consciously unconscious." In the textual portrait, she locates the moment when this essential process is both revealed and repressed. Mimesis in literaturePortraits in literatureElectronic books.Mimesis in literature.Portraits in literature.809.93355809/.93355Meltzer Françoise251705MiAaPQMiAaPQMiAaPQBOOK9910459313403321Salome and the dance of writing1333923UNINA03922nam 2200709Ia 450 991078547430332120230725025709.01-282-93442-297866129344213-11-024777-110.1515/9783110247770(CKB)2670000000060039(EBL)669193(OCoLC)707068910(SSID)ssj0000437241(PQKBManifestationID)11298702(PQKBTitleCode)TC0000437241(PQKBWorkID)10431413(PQKB)10534667(MiAaPQ)EBC669193(DE-B1597)122843(OCoLC)698590661(OCoLC)853244043(DE-B1597)9783110247770(Au-PeEL)EBL669193(CaPaEBR)ebr10435633(CaONFJC)MIL293442(EXLCZ)99267000000006003920100804d2010 uy 0engur||#||||||||txtccrGod will judge each one according to works[electronic resource] judgment according to Works and Psalm 62 in early Judaism and the New Testament /Kyoung-Shik KimBerlin ;New York Walter de Gruyterc20101 online resource (308 p.)Beihefte zur Zeitschrift für die neutestamentliche Wissenschaft und die Kunde der älteren Kirche,0171-6441 ;Bd. 178This study is a revision of a doctoral thesis submitted to the University of Aberdeen in Scotland, UK.3-11-024776-3 Includes bibliographical references and index.Front matter --Contents --Part 1. Prolegomena --Introduction --Chapter 1. The Investigation of Ps 62 and its Greek Counterpart --Part 2. The Use of Ps 62:13 in Early Judaism --Chapter 2. The Wisdom of Ben Sira --Chapter 3. 1 Enoch --Chapter 4. Apostrophe to Zion (11Q5 22:1-15) --Chapter 5. The Psalms of Solomon --Chapter 6. Pseudo-Philo's LAB --Chapter 7.Conclusion on the Use of Ps 62:13 in Early Judaism --Part 3. The Use of Ps 62:13 (Ψ 61:13) in the New Testament --Chapter 8. The Use of Psalm 62:13 in Matthew --Chapter 9. The Use of Ps 62:13 (Ψ 61:13) in Romans --Chapter 10. The Use of Ψ 61:13 in 2 Timothy --Chapter 11. The Use of Ps 61:13 (LXX) in 1 Peter --Chapter 12. The Use of Ps 62:13 in The Book of Revelation --BackmatterThis monograph provides a fresh perspective on judgment according to works by challenging both the majority scholarly view and the new perspective advocated by E. P. Sanders, James D. G. Dunn and N. T. Wright. Employing intertextuality and early Jewish mediation of scripture, this study examines the idea of judgment according to works with reference to Psalm 62:13 in early Jewish literature and the New Testament. The originality of this study is to highlight the significance of Psalm 62:13 in the context of judgment according to works and to argue that the texts dealing with judgment according to works in the New Testament are to be understood as interpretations of Psalm 62:13 and its broad context.Beihefte zur Zeitschrift für die neutestamentliche Wissenschaft und die Kunde der älteren Kirche ;Beiheft 178.JudgmentReligious aspectsChristianityJudgmentReligious aspectsJudaismApocalypse of John.Early Judaism.Paul.Psalm.JudgmentReligious aspectsChristianity.JudgmentReligious aspectsJudaism.236.9BC 6735rvkKim Kyoung-Shik1568907MiAaPQMiAaPQMiAaPQBOOK9910785474303321God will judge each one according to works3841367UNINA