02678nam 2200589 a 450 991078540240332120200520144314.01-282-94806-797866129480601-4411-9369-3(CKB)2670000000067011(EBL)634571(OCoLC)699475268(SSID)ssj0000436831(PQKBManifestationID)12192480(PQKBTitleCode)TC0000436831(PQKBWorkID)10447745(PQKB)11436858(MiAaPQ)EBC634571(Au-PeEL)EBL634571(CaPaEBR)ebr10438516(CaONFJC)MIL294806(PPN)158030788(EXLCZ)99267000000006701120100325d2010 uy 0engur|n|---|||||txtccrFreedom and nature in Schelling's philosophy of art[electronic resource] /Devin Zane ShawLondon ;New York Continuumc20101 online resource (188 p.)Continuum studies in philosophyDescription based upon print version of record.1-4411-1732-6 1-4411-5624-0 Includes bibliographical references and index.Contents; Acknowledgments; Note on Citations; Introduction; 1 Dogmatism, Criticism, and Art; 2 From Nature-philosophy to the 'Mythology of Reason'; 3 Artistic Activity and the Subversion of Transcendental Idealism; 4 Substance and History: Absolute Idealism and Art; 5 From Art and Nature to Freedom and Revelation; Conclusion; Notes; Bibliography; IndexSchelling is often thought to be a protean thinker whose work is difficult to approach or interpret. Devin Zane Shaw shows that the philosophy of art is the guiding thread to understanding Schelling's philosophical development from his early works in 1795-1796 through his theological turn in 1809-1810. Schelling's philosophy of art is the 'keystone' of the system; it unifies his idea of freedom and his philosophy of nature. Schelling's idea of freedom is developed through a critique of the formalism of Kant's and Fichte's practical philosophies, and his nature-philosophy is developed to show hContinuum studies in philosophy.ArtPhilosophyArtPhilosophy.111/.85092Shaw Devin Zane1498019MiAaPQMiAaPQMiAaPQBOOK9910785402403321Freedom and nature in Schelling's philosophy of art3723393UNINA