03453nam 2200625 a 450 991078526180332120230725025140.01-282-79289-X978661279289290-420-3079-810.1163/9789042030794(CKB)2670000000047856(EBL)587937(OCoLC)670411615(SSID)ssj0000427683(PQKBManifestationID)12175150(PQKBTitleCode)TC0000427683(PQKBWorkID)10406194(PQKB)11478982(MiAaPQ)EBC587937(OCoLC)671247019(OCoLC)670411615(OCoLC)676731464(OCoLC)712994387(OCoLC)744540993(OCoLC)764546073(OCoLC)961510960(OCoLC)962632868(nllekb)BRILL9789042030794(Au-PeEL)EBL587937(CaPaEBR)ebr10420122(CaONFJC)MIL279289(EXLCZ)99267000000004785620101021d2010 uy 0engur|n|---|||||txtccrSay it[electronic resource] the performative voice in the dramatic works of Samuel Beckett /Sarah WestAmsterdam ;New York Rodopi20101 online resource (270 p.)Faux titre,0167-9392 ;352Description based upon print version of record.90-420-3078-X Includes bibliographical references (p. [249]-261) and index.Preliminary Material -- Acknowledgements -- Abbreviations -- Introduction -- A Voice Within and Beyond the Twentieth Century -- Genesis of the Performative Voice -- Re-enacting Voices from the Past -- Voice as Protagonist -- Voice from Page to Stage -- Conclusion -- Bibliography -- Chronology -- Index.Central to Samuel Beckett’s literature is a wilful voice which insists on speaking and being heard. Beckett described it as “a truly exterior voice”, and in the plays he separates voice from the body and turns it into an audible character. Previous critical studies have explored the enigma of this voice, its identity, source and location, but little attention has been given to the voice as protagonist. This volume traces the genesis of the performative voice in the early prose and charts its trajectory throughout the dramatic oeuvre in a readable narrative which generates fresh insights into some of Beckett’s most remarkable and impenetrable plays. It examines the use of embodied and acousmatic – ‘out of body’ – voices in the different media of theatre, radio and television; the treatment of voice in relation to music, image and movement; and the ‘shifting threshold’ between the written and spoken word. The analysis comprises a detailed study of dramatic speech and technical aspects of sound reproduction, making it relevant for all scholars and students with an interest in textual and performance issues in Beckett’s drama.Faux titre ;no. 352.Voice in literatureProtagonists (Persons) in literatureVoice in literature.Protagonists (Persons) in literature.822.912West Sarah1965-1500795MiAaPQMiAaPQMiAaPQBOOK9910785261803321Say it3727616UNINA