02740nam 2200625Ia 450 991078515270332120230803101657.01-315-61605-X1-317-03418-X1-317-03417-11-282-74355-497866127435590-7546-9064-4(CKB)2670000000044704(EBL)581339(OCoLC)673141056(SSID)ssj0000435920(PQKBManifestationID)12182895(PQKBTitleCode)TC0000435920(PQKBWorkID)10425210(PQKB)11412469(Au-PeEL)EBL581339(CaPaEBR)ebr10409278(CaONFJC)MIL274355(MiAaPQ)EBC581339(EXLCZ)99267000000004470420100604d2010 uy 0engur|n|---|||||txtccrThe empty museum[electronic resource] Western cultures and the artistic field in modern Japan /Masaaki MorishitaFarnham, Surrey ;Burlington, VT Ashgate Pub. Co.c20101 online resource (160 p.)Description based upon print version of record.0-7546-4954-7 Includes bibliographical references and index.Cover; Contents; List of Figures; Preface; 1 Introduction; 2 Transculturation and Bourdieu's Field Theory; 3 The Early Development of the Field of Bijutsu: The Bunten and the Art Group; 4 The Birth of the Regional Art Museum: Art Groups, and the Avant-garde; 5 Post-war Development: Curators and Museums of Modern Art; 6 Struggles between the Local Artist and the Curator; 7 Conclusion; Appendix: List of Personal Interviews; Bibliography; IndexThe book examines the processes through which public art museums, as modern Western institutions, were introduced to Japan in the late nineteenth century and how they subsequently developed distinctive national characteristics. Focusing on 'empty museums', one of the most distinctive forms of Japanese museums, Morishita shows how they developed, in relation to socio-cultural conditions at certain periods in modern Japanese history.ArtExhibition techniquesSocial aspectsArt museumsJapanArt and societyJapanArtExhibition techniquesSocial aspects.Art museumsArt and society708.952Morishita Masaaki1966-617347MiAaPQMiAaPQMiAaPQBOOK9910785152703321The empty museum3769688UNINA