02534nam 2200541Ia 450 991078506310332120230725023731.00-8166-7342-X(CKB)2670000000030312(EBL)548066(OCoLC)646067959(SSID)ssj0000413249(PQKBManifestationID)11259237(PQKBTitleCode)TC0000413249(PQKBWorkID)10381694(PQKB)10490699(MiAaPQ)EBC548066(MdBmJHUP)muse29798(Au-PeEL)EBL548066(CaPaEBR)ebr10399428(CaONFJC)MIL523028(EXLCZ)99267000000003031220100208d2010 ub 0engurcn|||||||||txtccrBroken mirrors, broken minds[electronic resource] the dark dreams of Dario Argento /Maitland McDonaghExpanded ed.Minneapolis University of Minnesota Pressc20101 online resource (324 p.)Originally published: London : Sun Tavern Fields, 1991.9780816656073 Includes bibliographical references.Introduction to the Dark dreams of Dario Argento -- Bird with the crystal plumage -- Cat o'nine tails and Four flies on grey velvet -- Cinque giornate and Deep red -- Suspiria and Inferno -- Tenebrae and Creepers -- Opera and Two evil eyes -- Epilogue -- Afterword: trauma and the changing face of horror -- Interview with Dario Argento (circa 1985).Italian filmmaker Dario Argento's horror films have been described as a blend of Alfred Hitchcock and George Romero-psychologically rich, colorful, and at times garish, excelling at taking the best elements of the splatter and exploitation genres and laying them over a dark undercurrent of human emotions and psyches. Broken Mirrors/Broken Minds, which dissects such Argento cult films as Two Evil Eyes, The Bird with the Crystal Plumage, Suspiria, and Deep Red, includes a new introduction discussing Argento's most recent films, from The Stendahl SyndromeHorror filmsItalyHistory and criticismHorror filmsHistory and criticism.791.43/0233/092McDonagh Maitland1478540MiAaPQMiAaPQMiAaPQBOOK9910785063103321Broken mirrors, broken minds3694223UNINA