02795nam 2200577Ia 450 991078489060332120230421044656.01-280-52837-00-19-535653-51-4294-1447-2(CKB)1000000000399947(EBL)272292(OCoLC)476010072(SSID)ssj0000201809(PQKBManifestationID)11216671(PQKBTitleCode)TC0000201809(PQKBWorkID)10245686(PQKB)11718624(MiAaPQ)EBC272292(Au-PeEL)EBL272292(CaPaEBR)ebr10279285(CaONFJC)MIL52837(EXLCZ)99100000000039994719960528d1997 uy 0engur|n|---|||||txtccrMeter as rhythm[electronic resource] /Christopher F. HastyNew York Oxford University Press19971 online resource (329 p.)Description based upon print version of record.0-19-510066-2 Includes bibliographical references (p. 305-307) and index.Contents; ONE: General Characterization of the Opposition; TWO: Two Eighteenth-Century Views; THREE: Evaluations of Rhythm and Meter; FOUR: Distinctions of Rhythm and Meter in Three Influential American Studies; FIVE: Discontinuity of Number and Continuity of Tonal "Motion"; SIX: Preliminary Definitions; SEVEN: Meter as Projection; EIGHT: Precedents for a Theory of Projection; NINE: Some Traditional Questions of Meter Approached from the Perspective of Projective Process; TEN: Metrical Particularity; ELEVEN: Obstacles to a View of Meter as Process; TWELVE: The Limits of MeterTHIRTEEN: Overlapping, End as Aim, Projective TypesFOURTEEN: Problems of Meter in Early-Seventeenth-Century and Twentieth-Century Music; FIFTEEN: Toward a Music of Durational Indeterminacy; SIXTEEN: The Spatialization of Time and the Eternal "Now Moment"; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; P; R; S; T; V; W; Y; ZThis work presents a theory of musical duration. Drawing on insights from modern ""process"" philosophy, it advances a fully temporal perspective in which metre is released from its mechanistic connotations and recognized as a concrete, visceral agent of musical expression.Musical meter and rhythmMusicMusical meter and rhythm.Music.781.2/2Hasty Christopher Francis1474875MiAaPQMiAaPQMiAaPQBOOK9910784890603321Meter as rhythm3688797UNINA