05751oam 2200769I 450 991078457560332120200520144314.01-136-12005-X1-136-12006-81-280-96156-297866109615660-08-047045-910.4324/9780080470450 (CKB)1000000000362705(EBL)286652(OCoLC)476038150(SSID)ssj0000107517(PQKBManifestationID)11124900(PQKBTitleCode)TC0000107517(PQKBWorkID)10009390(PQKB)10477463(Au-PeEL)EBL286652(CaPaEBR)ebr10166991(CaONFJC)MIL96156(OCoLC)123418639(CaSebORM)9780240519470(MiAaPQ)EBC286652(EXLCZ)99100000000036270520180706d2005 uy 0engur|n|---|||||txtccrAudio post production for television and film an introduction to technology and techniques /Hilary Wyatt and Tim Amyes3rd ed. /Hilary Wyatt and Tim Amyes.Oxford ;Burlington, Mass. :Focal Press, an imprint of Elsevier,2005.1 online resource (303 p.)Previous ed.: 1998.1-138-45977-1 0-240-51947-7 Cover; Contents; Acknowledgements; About the authors; Introduction to the third edition; Part 1 Audio Basics; 1 The evolution of audio post production; An overview; A little history: the development of technology and techniques; Where we are now: post production today; 2 Digital recording and processing; The digital audio process; Sampling rate and pulse code modulation; Quantizing level; Storing digital audio data; Compression; Buffers; Interconnecting between digital audio systems; 3 Synchronizing and controlling audio post production equipment; SMPTE/EBU timecode; Timecode and speedIdentification and labellingLongitudinal timecode (LTC); Vertical interval timecode (VITC); Burnt-in timecode; MIDI timecode (MTC); Controlling equipment through synchronization; Synchronization modes; The control of tape/film transports; 4 Audio transfers and file formats; Compression; Linear transfers; File transfers; File conversion software; Network systems; 5 Video, film and pictures; Film; Telecine; Video; Video compression; Film recording; Audio on video recorders; Viewing pictures in audio post production; Viewing images; Comparing film and video; 6 Film in audio post productionFilm releaseConforming film; Film timecode; Sound on sprocketed film; Photographic film recording; Recording analogue optical soundtracks; Digital optical soundtracks; Part 2 The Post Production Process; 7 Post production workflows; 8 Recording audio for post production; Aims; Types of microphone; Mono and stereo recording; Microphone position; Using multiple microphones; Production mixing; Studio and field recorders; Identing and logging takes; Studio-based recording; Field/location recording; 9 Editing picture and sound; An overview; Non-linear editing; System configurationVideo resolutionThe editing process; Logging the rushes; Digitizing sound and picture; Syncing sound and picture; Editing audio in the timeline; Audio tools; Outputting the audio edit; Spotting the soundtrack; Handing over to the sound editors; 10 The digital audio workstation; An overview; Digital audio editing; System configuration; Hard drives; Drive configurations; Working with picture; System requirements and interconnectivity; Audio editing tools; Mixing tools; Backing up; Setting up a tracklaying workspace; Choosing the right workstation for the job11 Preparing for the mix: editing production soundAims; The conform; Checking sync; Starting the dialogue edit; Boom or personal mic?; Handling twin/multiple-track material; Handling M/S recordings; Techniques for improving audio edits; Dialogue editing software; ADR spotting; ADR cue sheets; ADR spotting software; Attending the ADR session; Editing ADR; ADR fitting software; Splitting the dialogues for the mix; Crowd spotting; Attending the crowd session; Editing the crowd; 12 Preparing for the mix: sound effects editing; Aims; Types of sound effect; Planning the tracklaySourcing sound effectsPreviously titled Audio Post-production in Video and Film, this third edition has been completely revised and restructured to provide a step-by-step guide to the professional techniques used to shape a soundtrack through the production process. Covering sound for both film and television, this edition includes many of the practical techniques and shortcuts used by experienced editors and mixers. Part one explains the basics of audio post production - how audio is recorded, how sound and picture stay in sync, how audio can be exported from system to system, and hAudio post-production for television and filmMotion picturesSound effectsSound motion picturesSoundRecording and reproducingVideo tapesEditingMotion picturesSound effects.Sound motion pictures.SoundRecording and reproducing.Video tapesEditing.778.52344Wyatt Hilary.1584297Amyes Tim1584298MiAaPQMiAaPQMiAaPQBOOK9910784575603321Audio post production for television and film3867972UNINA