03138nam 2200757 450 991078455530332120210209145214.00-19-772766-20-19-988175-81-280-45264-10-19-535575-X1-60256-121-42027/heb06328(CKB)1000000000363269(EBL)271183(OCoLC)567929606(SSID)ssj0000123043(PQKBManifestationID)11135350(PQKBTitleCode)TC0000123043(PQKBWorkID)10131747(PQKB)11139791(MiAaPQ)EBC271183(MiAaPQ)EBC5797806(MiAaPQ)EBC746669(Au-PeEL)EBL746669(OCoLC)782872107(dli)HEB06328(MiU)MIU01000000000000012845228(EXLCZ)99100000000036326920190731d1998 uy 0engur|n|---|||||txtccrClassical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven /William E. CaplinNew York ;Oxford :Oxford University Press,1998.1 online resource (xii, 307 p.)Description based upon print version of record.0-19-514399-X 0-19-510480-3 Includes bibliographical references (p. 289-292) and index.1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form.Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven.Theory of formal functions for the instrumental music of Haydn, Mozart, and BeethovenMusical formInstrumental music18th centuryAnalysis, appreciationInstrumental music19th centuryAnalysis, appreciationMusical analysisClassicism in musicMusic theoryHistory20th centuryMusical form.Instrumental musicAnalysis, appreciation.Instrumental musicAnalysis, appreciation.Musical analysis.Classicism in music.Music theoryHistory784.18Caplin William Earl1948-781762MiAaPQMiAaPQMiAaPQBOOK9910784555303321Classical form1733656UNINA