02703nam 2200625Ia 450 991078442650332120230207223854.00-948317-54-X1-135-94691-41-280-10299-30-203-32975-9(CKB)1000000000358766(EBL)199616(OCoLC)259514317(SSID)ssj0000207149(PQKBManifestationID)11188702(PQKBTitleCode)TC0000207149(PQKBWorkID)10228491(PQKB)10978758(MiAaPQ)EBC199616(Au-PeEL)EBL199616(CaPaEBR)ebr10094374(CaONFJC)MIL10299(OCoLC)57447296(EXLCZ)99100000000035876620040121d2005 uy 0engur|n|---|||||txtccrMusic, power, and politics[electronic resource] /edited by Annie J. RandallNew York Routledge20051 online resource (295 p.)Description based upon print version of record.1-138-87024-2 0-415-94364-7 Includes bibliographical references and index.BOOK COVER; TITLE; COPYRIGHT; CONTENTS; Acknowledgments; Introduction; 1 A Censorship of Forgetting Origins and Origin Myths; 2 Discipline and Choralism The Birth of Musical Colonialism; 3 Power Needs Names Hegemony Folklorization; 4 The Power to Influence Minds German Folk Music; 5 The Making of a National Musical Icon Xian Xinghai; 6 Dancing for the Eternal President; 7 The Power of Recently Revitalized Serbian Rural Folk Music; 8 Hands Off My Instrument; 9 Barbadian Tuk Music A Fusion of Musical Cultures; 10 There Goes the Transnational Neighborhood11 Fighting for the Right to Party Discursive Negotiations12 Who's Listening; 13 Subversion and Countersubversion Power Control; Contributors; IndexEssays by scholars from around the world explore the means by which music's long-acknowledged potential to persuade, seduce, indoctrinate, rouse, incite, or even silence listeners has been used to advance agendas of power and protest.Popular musicSocial aspectsFolk musicSocial aspectsPopular musicSocial aspects.Folk musicSocial aspects.780.9780/.9Randall Annie Janeiro911865MiAaPQMiAaPQMiAaPQBOOK9910784426503321Music, power, and politics3695264UNINA