02764nam 22006733u 450 991078439870332120230413034234.00-8166-9272-6(CKB)1000000000346855(EBL)310559(OCoLC)476095103(SSID)ssj0000284870(PQKBManifestationID)11222613(PQKBTitleCode)TC0000284870(PQKBWorkID)10278543(PQKB)10373840(SSID)ssj0000986400(PQKBManifestationID)11547396(PQKBTitleCode)TC0000986400(PQKBWorkID)10937374(PQKB)10820892(WaSeSS)Ind00071716(MiAaPQ)EBC310559(EXLCZ)99100000000034685520130418d2001|||| u|| |engur|n|---|||||txtccrTilted Arc Controversy[electronic resource] Dangerous Precedent?New ed.Minneapolis University of Minnesota Press20011 online resource (228 p.)Description based upon print version of record.0-8166-3785-7 Contents; List of Illustrations; Preface; Acknowledgments; Prologue; 1. Commission, Installation, Removal; 2. Public Opinion; 3. Reframing the Controversy; 4. After Tilted Arc; Conclusion; Notes; IndexSince its installation at and subsequent removal from New York City's Federal Plaza, noted sculptor Richard Serra's Tilted Arc has been a touchstone for debates over the role of public art. Installed in 1981, the 10-foot-high, 120-foot-long curved wall of Cor-Ten self-rusting steel instantly became a magnet for criticism. Harriet F. Senie explores the history of Tilted Arc, including its 1979 commission and the heated public hearings that eventually led to its removal in 1989. She examines the tactics of those opposed to the sculpture and the media's superficial and sensational coverage of thePublic sculptureSerra, RichardPublic sculpturePublic opinionNew YorkNew York (State)SculptureHILCCVisual ArtsHILCCArt, Architecture & Applied ArtsHILCCPublic sculpture.Serra, Richard.Public sculpturePublic opinionSculptureVisual ArtsArt, Architecture & Applied Arts730/.92Senie Harriet1491056AU-PeELAU-PeELAU-PeELBOOK9910784398703321Tilted Arc Controversy3712603UNINA