02397nam 2200625Ia 450 991078437890332120200520144314.00-8166-8485-5(CKB)1000000000347200(EBL)310344(OCoLC)476094008(SSID)ssj0000135966(PQKBManifestationID)11155026(PQKBTitleCode)TC0000135966(PQKBWorkID)10064095(PQKB)11680776(OCoLC)122887275(MdBmJHUP)muse39038(Au-PeEL)EBL310344(CaPaEBR)ebr10159409(CaONFJC)MIL522957(MiAaPQ)EBC310344(EXLCZ)99100000000034720019950316d1996 ub 0engur|n|---|||||txtccrDeconstructive variations[electronic resource] music and reason in western society /Rose Rosengard SubotnikMinneapolis University of Minnesota Pressc19961 online resource (376 p.)Description based upon print version of record.0-8166-2198-5 0-8166-2197-7 Includes bibliographical references (p. 213-298) and index.Whose Magic flute? : intimations of reality at the gates of the Enlightenment -- How could Chopin's A-major prelude be deconstructed? -- Toward a deconstruction of structural listening : a critique of Schoenberg, Adorno, and Stravinsky -- The closing of the American dream? : a musical perspective on Allan Bloom, Spike Lee, and doing the right thing.In this sequel to her previous collection, Developing Variations, Subotnik applies the insights of Kant, Adorno, Bakhtin, and Derrida to major works of Mozart and Chopin.MusicPhilosophy and aestheticsMusicSocial aspectsMusical criticismMusical analysisMusicPhilosophy and aesthetics.MusicSocial aspects.Musical criticism.Musical analysis.781/.1Subotnik Rose Rosengard1561283MiAaPQMiAaPQMiAaPQBOOK9910784378903321Deconstructive variations3854829UNINA