02442nam 2200589Ia 450 991078437400332120230524215629.00-8166-8779-X(CKB)1000000000347043(EBL)310420(OCoLC)299572524(SSID)ssj0000130038(PQKBManifestationID)11134887(PQKBTitleCode)TC0000130038(PQKBWorkID)10080687(PQKB)10672701(MiAaPQ)EBC310420(OCoLC)191944195(MdBmJHUP)muse38951(Au-PeEL)EBL310420(CaPaEBR)ebr10159581(CaONFJC)MIL522447(EXLCZ)99100000000034704319971015h19981998 uy 0engurcn|||||||||txtrdacontentcrdamediacrrdacarrierContract with the skin masochism, performance art, and the 1970s /Kathy O'DellMinneapolis :University of Minnesota Press,1998.©19981 online resource (xiv, 128 pages, 32 unnumbered pages of plates) illustrations0-8166-2887-4 0-8166-2886-6 Includes bibliographical references (p. 111-122) and index.CONTENTS; LIST OF ILLUSTRATIONS; PREFACE; 1 HE GOT SHOT; 2 HIS MOUTH/HER SKIN; 3 MY MIRROR; 4 THEIR BEDS; 5 HOME AGAIN; 6 CONCLUSION; NOTES; SELECTED BIBLIOGRAPHY; INDEXFocusing on 1970's performance artists Vito Acconci, Chris Burden, Gina Pane, and collaborators Marina Abramovi`c/Ulay as well as those with similar sensibilities from the late 1980's onward (Bob Flanagan, David Wojnarowicz, Simon Leung, Catherine Opie, Ron Athey, Lutz Bacher, and Robby Garfinkel), O'Dell provides photographic documentation of performances and quotations from interviews with many of the artists. Throughout, O'Dell asks what we can do about the institutionalized forms of masochism for which these performances are metaphors.Performance artMasochism in artPerformance art.Masochism in art.700/.9/045702.81O'Dell Kathy1524056MiAaPQMiAaPQMiAaPQBOOK9910784374003321Contract with the skin3764531UNINA