02613nam 22006014a 450 991078420480332120230828231026.00-8166-9419-2(CKB)1000000000346802(EBL)310753(OCoLC)476096108(SSID)ssj0000208277(PQKBManifestationID)11169033(PQKBTitleCode)TC0000208277(PQKBWorkID)10239912(PQKB)10671070(MiAaPQ)EBC310753(OCoLC)166289748(MdBmJHUP)muse39563(Au-PeEL)EBL310753(CaPaEBR)ebr10173888(CaONFJC)MIL523113(EXLCZ)99100000000034680220060111d2006 ub 0engur|n|---|||||txtccrA national acoustics[electronic resource] music and mass publicity in Weimar and Nazi Germany /Brian CurridMinneapolis University of Minnesota Pressc20061 online resource (279 p.)Description based upon print version of record.0-8166-4042-4 0-8166-4041-6 Includes bibliographical references (p. 253-267) and index.German sounds, sounding German, and the acoustics of publicity -- Radio, mass publicity, and national fantasy -- The Schlager and the Singer film : organs of experience and the history of subjectivity -- "Musik" and "Musick" : "opus music" and mass culture -- "Songs the gypsy plays for us" : racial fantasy, music, and the state.In A National Acoustics, Brian Currid investigates the transformations of music in mass culture from the Weimar Republic to the end of the Nazi regime. Currid illustrates the contradictions between Germany's social and cultural histories and how the technologies of recording were vital to the emergence of a national imaginary and exposed the fault lines in the contested terrain of mass communication.Music and stateGermanyHistory20th centuryNational socialism and musicGermanyWeimar (Thuringia)Mass media and public opinionGermanyMusic and stateHistoryNational socialism and musicMass media and public opinion780.943/09043Currid Brian1504169MiAaPQMiAaPQMiAaPQBOOK9910784204803321A national acoustics3733029UNINA