02359nam 2200565 a 450 991078411260332120200520144314.00-8166-9457-5(CKB)1000000000346786(EBL)310608(OCoLC)614925174(SSID)ssj0000282365(PQKBManifestationID)11214717(PQKBTitleCode)TC0000282365(PQKBWorkID)10316812(PQKB)10444637(MdBmJHUP)muse39508(Au-PeEL)EBL310608(CaPaEBR)ebr10151254(CaONFJC)MIL522861(MiAaPQ)EBC310608(EXLCZ)99100000000034678620020514d2003 ub 0engur|n|---|||||txtccrNoir anxiety[electronic resource] /Kelly Oliver, Benigno TrigoMinneapolis University of Minnesota Pressc20031 online resource (336 p.)Description based upon print version of record.0-8166-4110-2 0-8166-4109-9 Includes bibliographical references (p. 271-280) and index.Filmography: p. 281-287.Contents; Acknowledgments; Introduction: Dropping the Bombshell; 1. Noir in Black and White; 2. Poisonous Jewels in Murder, My Sweet; 3. Stereotype and Voice in The Lady from Shanghai; 4. Sleeping Beauty and Her Doubles: The (Uncanny) Secret beyond the Door; 5. Mad about Noir: Hitchcock's Vertigo; 6. The Borderlands of Touch of Evil; 7. Jokes in Chinatown: A Question of Place; 8. Franklin's New Noir: Devil in a Blue Dress; 9. Make It Real: Bound's Way Out; 10. The Space of Noir; Notes; Works Cited; Filmography; IndexIn Noir Anxiety, Kelly Oliver and Benigno Trigo interpret what has been called the "free-floating anxiety" of film noir as concrete apprehensions about race and sexuality.Film noirUnited StatesHistory and criticismFilm noirHistory and criticism.791.43/655Oliver Kelly1958-689708Trigo Benigno1485728MiAaPQMiAaPQMiAaPQBOOK9910784112603321Noir anxiety3847581UNINA