02553nam 22006014a 450 991078410820332120230828231040.00-8166-9595-4(CKB)1000000000346738(EBL)310754(OCoLC)476096120(SSID)ssj0000211707(PQKBManifestationID)11178584(PQKBTitleCode)TC0000211707(PQKBWorkID)10134782(PQKB)11765743(MiAaPQ)EBC310754(OCoLC)85874857(MdBmJHUP)muse39612(Au-PeEL)EBL310754(CaPaEBR)ebr10159591(CaONFJC)MIL526049(EXLCZ)99100000000034673820060221d2006 ub 0engur|n|---|||||txtccrNoise orders[electronic resource] jazz, improvisation, and architecture /David P. BrownMinneapolis University of Minnesota Pressc20061 online resource (193 p.)Description based upon print version of record.0-8166-4351-2 0-8166-4350-4 Includes bibliographical references (p. 133-151) and index.Compositional imperatives: Mondrian and boogie-woogie -- What is the body supposed to be doing? John Cage and Rahsaan Roland Kirk -- Now's the time: temporalities of Louis Armstrong and Le Corbusier -- Function, flexibility, and improvisation: the AACM and Mies Van Der Rohe -- Diagrams, conduction, and the contemporary city.In Noise Orders, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture can be strongly influenced by jazz improvisation. Comparing artists and architects with individuals and groups in jazz-including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk-Brown examines how jazz can provide insight on how to develop dynamic metropolitan environments.Music and architectureJazzAnalysis, appreciationImprovisation (Music)Music and architecture.JazzAnalysis, appreciation.Improvisation (Music)781.65/117Brown David1965-320069MiAaPQMiAaPQMiAaPQBOOK9910784108203321Noise orders3775974UNINA