02509nam 2200589Ia 450 991078410540332120230422044614.00-8166-8828-1(CKB)1000000000347015(EBL)310442(OCoLC)476094613(SSID)ssj0000137628(PQKBManifestationID)11160134(PQKBTitleCode)TC0000137628(PQKBWorkID)10088908(PQKB)10880717(MiAaPQ)EBC310442(OCoLC)191936344(MdBmJHUP)muse38989(Au-PeEL)EBL310442(CaPaEBR)ebr10159447(CaONFJC)MIL523357(EXLCZ)99100000000034701519980605d1999 ub 0engur|n|---|||||txtccrDeterritorializing the new German cinema[electronic resource] /John E. DavidsonMinneapolis University of Minnesota Pressc19991 online resource (216 p.)Description based upon print version of record.0-8166-2983-8 0-8166-2982-X Includes bibliographical references (p. 165-194) and index.Contents; Preface; Introduction; 1 Conceiving, Producing, and Remembering the New German Cinema; 2 Resettling the West: Of Familial Spats and Spots, and the End of the Road Movie; 3 Railing against Convention, or Camping Out in Mongolia: The Performative Displacements of Ulrike Ottinger's Johanna D'Arc Mongolia; Epilogue: Beyond the New German Cinema?; Notes; IndexBetween 1961 and 1989, the New German Cinema came into being, the product of the diverse efforts of West German politicians, West German filmmakers, and foreign-chiefly American-film enthusiasts. This book takes the story of the New German Cinema beyond its strictly German context to show its relation to the international constellations of the Cold War and postcolonial politics.Motion picturesGermanyHistoryPerforming artsGermanyHistoryMotion picturesHistory.Performing artsHistory.791.43/0943/0945791.430943Davidson John E312908MiAaPQMiAaPQMiAaPQBOOK9910784105403321Deterritorializing the new German cinema3775948UNINA