03819oam 2200661I 450 991078399420332120221208171242.01-134-61323-70-203-63866-21-134-61324-51-280-07963-00-203-63425-X10.4324/9780203634257(CKB)1000000000253354(EBL)182182(OCoLC)85804557(MiAaPQ)EBC182182(Au-PeEL)EBL182182(CaPaEBR)ebr10097000(CaONFJC)MIL7963(EXLCZ)99100000000025335420180331d2003 uy 0enguran#---uuuuutxtrdacontentcrdamediacrrdacarrierRethinking third cinema /edited by Anthony R. Guneratne and Wimal DissanayakeNew York ;London :Routledge,2003.1 online resource (253 p.)Print version: Rethinking Third Cinema. New York ; London : Routledge, 2003 9780415213547 (OCoLC)61423748 0-415-21354-1 Includes bibliographical references and index.Book Cover; Title; Contents; Contributors; Acknowledgments; Introduction: rethinking Third Cinema; Third Cinema theory and beyond; Beyond Third Cinema: the aesthetics of hybridity; Challenging Third World legacies: issues of gender, culture, and representation; Post-Third-Worldist culture: gender, nation, and thecinema; The erotics of history: gender and transgression in the Asian cinemas; Alternative cinemas in the age of globalization; Authorship, globalization, and the new identity of Latin American cinema: from the Mexican ~ranchera~ to Argentinian ~exile~Video booms and the manifestations of ~first~ cinema in anglophone AfricaThe relocation of culture: social specificity and the ~Third~ question; What's ~oppositional~ in Indonesian cinema?; The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress Moon; Receiving/retrieving Third (World) Cinema: alternative approaches to spectator studies and critical history; Theorizing ~Third World~ film spectatorship: the case ofIran anThis important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s.Motion picturesDeveloping countriesIntercultural communication in motion picturesCommunication interculturelle au cinéma(CaQQLa)000276513Intercultural communication in motion picturesfast(OCoLC)fst00976110Motion picturesfast(OCoLC)fst01027285Developing countriesfast(OCoLC)fst01242969Motion picturesIntercultural communication in motion pictures.Communication interculturelle au cinéma.Intercultural communication in motion pictures.Motion pictures.Developing countries.791.43091724Guneratne Anthony R607440Dissanayake Wimal532319MiAaPQMiAaPQMiAaPQBOOK9910783994203321Rethinking third cinema3839644UNINA