02882oam 2200673I 450 991078380660332120230421043409.01-134-96316-51-134-96317-31-280-11107-00-203-97719-X10.4324/9780203977194 (CKB)1000000000252234(EBL)237423(OCoLC)85810195(SSID)ssj0000210910(PQKBManifestationID)11169140(PQKBTitleCode)TC0000210910(PQKBWorkID)10291251(PQKB)10761677(MiAaPQ)EBC237423(Au-PeEL)EBL237423(CaPaEBR)ebr10095870(CaONFJC)MIL11107(OCoLC)252958682(EXLCZ)99100000000025223420180331d1992 uy 0engur|n|---|||||txtccrNew vocabularies in film semiotics structuralism, post-structuralism, and beyond /Robert Stam, Robert Burgoyne, and Sandy Flitterman-LewisLondon ;New York :Routledge,1992.1 online resource (262 p.)SightlinesDescription based upon print version of record.0-415-06594-1 0-415-06595-X Includes bibliographical references and index.Book Cover; Half-Title; Title; Copyright; Dedication; CONTENTS; CONTRIBUTORS; PREFACE; I THE ORIGINS OF SEMIOTICS; II CINE-SEMIOLOGY; III FILM-NARRATOLOGY; IV PSYCHOANALYSIS; V FROM REALISM TO INTERTEXTUALITY; BIBLIOGRAPHY; INDEX OF TERMS;The authors address key aspects of contemporary semiotic and cultural debate--for example Metz's semiotics, Genette's narratology, the feminism of Mary Ann Doane, and Bakhtinian concepts. The book explores linguistically-oriented terminology in cinema studies; the semiotics of film narrative; the psycho-semiology of the cinema; and intertextuality, discourse, and transtextuality. References to individual films drawn from the work of a wide range of directors including Orson Welles, D.W. Griffiths, Alain Resnais, Jean-Luc Godard, Alfred Hitchcock, Jean Cocteau, and Chantal Akerman illustrate thSightlines (London, England)Motion picturesPhilosophyMotion picturesSemioticsMotion picturesPhilosophy.Motion picturesSemiotics.791.43791.43014Stam Robert1941,326727Burgoyne Robert1949-746078Flitterman-Lewis Sandy1946-1481668MiAaPQMiAaPQMiAaPQBOOK9910783806603321New vocabularies in film semiotics3698760UNINA