03625oam 2200709I 450 991078374000332120230124182014.01-134-70276-00-203-00977-00-203-16980-81-280-33522-X1-134-70277-910.4324/9780203009772 (CKB)1000000000248270(EBL)165177(OCoLC)304130421(SSID)ssj0000115076(PQKBManifestationID)11878999(PQKBTitleCode)TC0000115076(PQKBWorkID)10008328(PQKB)11255947(SSID)ssj0000290503(PQKBManifestationID)12112496(PQKBTitleCode)TC0000290503(PQKBWorkID)10412001(PQKB)11539182ebr5001330(MiAaPQ)EBC165177(Au-PeEL)EBL165177(CaPaEBR)ebr10070546(CaONFJC)MIL33522(OCoLC)826514590(EXLCZ)99100000000024827020180331d1999 uy 0engurcn|||||||||txtccrBritish science fiction cinema /edited by I.Q. HunterLondon ;New York :Routledge,1999.1 online resource (231 p.)British popular cinemaDescription based upon print version of record.0-415-16868-6 0-415-16867-8 Filmography: p. [181]-208.Includes bibliographical references and index.Book Cover; Title; Contents; List of illustrations; Notes on contributors; Acknowledgements; Introduction: the strange world of the British science fiction film; Things to Come and science fiction in the 1930's; 'We're the Martians now': British sf invasion fantasies of the 1950's and 1960's; Apocalypse then!: the ultimate monstrosity and strange things on the coastan interview with Nigel Kneale; Alien women: the politics of sexual difference in British sf pulp cinema; 'A stiff upper lip and a trembling lower one': John Wyndham on screenTrashing London: the British colossal creature film and fantasies of mass destruction The Day the Earth Caught Fire; Adapting telefantasy: the Doctor Who and the Daleks films; 'A bit of the old ultra-violence': A Clockwork Orange; The British post-Alien intrusion film; Dream girls and mechanic panic: dystopia and its others in Brazil and Nineteen Eighty-Four; 'No flesh shall be spared': Richard Stanley's Hardware; Filmography; IndexBritish Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative collection explore the diverse strangeness of British science fiction, from literary adaptions like Nineteen Eighty-Four and A Clockwork Orange to pulp fantasies and 'creature features' far removed from the acceptable face of British cinema.Through case studies ofBritish popular cinema.Science fiction filmsGreat BritainHistory and criticismScience fiction filmsHistory and criticism.791.43/615Hunter I. Q.1964-1160721FlBoTFGFlBoTFGBOOK9910783740003321British science fiction cinema3813049UNINA01959nas 2200505-a 450 99620171750331620240413023417.0(CKB)110978979587331(CONSER)---86645167-(EXLCZ)9911097897958733119860624a19879999 --- -engurunu||||||||txtrdacontentcrdamediacrrdacarrierCountry profileMozambique /EIU, the Economist Intelligence UnitLondon The Unit©1986-1 online resourcePrint version: Country profile. (DLC) 86645167 (OCoLC)13769731 0269-7017 MozambiqueCOUNTRY PROFILE MOZAMBIQUE ANNUAL SURVEY OF POLITICAL AND ECONOMIC BACKGROUNDECONOMIST INTELLIGENCE UNITEconomic historyfast(OCoLC)fst00901974Politics and governmentfast(OCoLC)fst01919741MozambiqueEconomic conditions1975-PeriodicalsMozambiquePolitics and government1975-1994PeriodicalsMozambiquePolitics and government1994-PeriodicalsMozambiqueEconomic conditions1975-PeriodicalsMozambiqueConditions économiques1975-PériodiquesMozambiqueConditions économiques1975-PériodiquesMozambiquePolitique et gouvernement1975-1994PériodiquesMozambiquePolitique et gouvernement1994-PériodiquesMozambiquefastPeriodicals.fastMozambiqueEconomic conditionsSerialsEconomic history.Politics and government330.967/9/005Economist Intelligence Unit (Great Britain)JOURNAL996201717503316exl_impl conversionCountry profile1886580UNISA