03621oam 2200733I 450 991078373030332120230321171845.01-134-64389-60-203-25932-71-134-64390-X0-203-02981-X1-280-33701-X10.4324/9780203029817(CKB)1000000000247860(EBL)168801(OCoLC)568194110(SSID)ssj0000105230(PQKBManifestationID)11130766(PQKBTitleCode)TC0000105230(PQKBWorkID)10086603(PQKB)10792054(SSID)ssj0000276973(PQKBManifestationID)11217988(PQKBTitleCode)TC0000276973(PQKBWorkID)10226568(PQKB)11603429(MiAaPQ)EBC168801(Au-PeEL)EBL168801(CaPaEBR)ebr10055917(CaONFJC)MIL33701(OCoLC)50304264(EXLCZ)99100000000024786020180331d1998 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierArchaeology under fire nationalism, politics and heritage in the eastern Mediterranean and Middle East /editor, Lynn MeskellLondon ;New York :Routledge,1998.1 online resource (x, 251 pages) illustrations, mapsDescription based upon print version of record.0-415-19655-8 0-415-16470-2 Includes bibliographical references and index.Book Cover; Title; Contents; List of illustrations; List of contributors; Introduction: Archaeology matters Lynn Meskell; Archaeology, politics and the cultural heritage of Cyprus A.Bernard Knapp and Sophia Antoniadou; The past is ours: images of Greek Macedonia Kostas Kotsakis; Contests of heritage and the politics of preservation in the Former Yugoslav Republic of Macedonia K.S.Brown; Bulgarian archaeology: ideology, sociopolitics and the exotic Douglass W.Bailey; Ideology and archaeology in Turkey Mehmet zdoanThe past as passion and play: atalhOyk as a site of conflict in the construction of multiple pasts Ian Hodder Beirut's memorycide: hear no evil, see no evil Albert Farid Henry Naccache; Conjuring Mesopotamia: imaginative geography and a world past Zainab Bahrani; Whose game is it anyway? The political and social transformations of American Biblical Archaeology Neil Asher Silberman; The Gulf Arab states and their archaeology D.T.Potts; Memorabilia: archaeological materiality and national identity in Egypt Fekri A.Hassan; Ancient Egypt in America: claiming the riches Ann Macy Roth; IndexArchaeology Under Fire addresses archaeology's role in current political issues, whether it be the ethnic cleansing in the Balkans, the division of Cyprus, or the continued destruction of Beirut.Nationalism, politics and heritage in the eastern Mediterranean and Middle EastArchaeologyPolitical aspectsMiddle EastArchaeology and stateMiddle EastMiddle EastAntiquitiesMediterranean RegionAntiquitiesArchaeologyPolitical aspectsArchaeology and state939956/.01Meskell Lynn768889FlBoTFGFlBoTFGBOOK9910783730303321Archaeology under fire3814502UNINA02871nam 2200505 450 991080726030332120220516153159.090-04-32455-010.1163/9789004324558(CKB)3710000000836718(MiAaPQ)EBC5024424(OCoLC)951724345(nllekb)BRILL9789004324558(PPN)174388470(EXLCZ)99371000000083671820171012h20162016 uy 0engurcnu||||||||rdacontentrdamediardacarrierFrom face to face recarving of Roman portraits and the late-antique portrait arts /by Marina Prusac Ph.D., University of OsloSecond revised editionLeiden, [Netherlands] ;Boston, [Massachusetts] :Brill,2016.©20161 online resource (381 pages) illustrations, mapsMonumenta Graeca et Romana,0169-8850 ;Volume 1890-04-32184-5 Includes bibliographical references and indexes.Introduction : the history of sculpture reuse and related problems -- The reuse of sculpture and recarving of portraits -- Statistical analyses -- The 1st-2nd centuries CE and the damnatio memoriae portraits -- The Third century CE -- Late antiquity and the emergence of new visual expressions -- Recarving methods -- Classifications -- Social aspects -- Conclusions : oblivion and reinvention -- Summary -- Map with portrait provinces -- The Roman imperial succession until Justinian I -- Calalogue of recarved portraits -- Bibliography.This book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, which together underpin a hypothesis that the late-antique portrait style is a consequence of the many recarved portraits at the time. The practice of portrait recarving emerged due to economic, political, religious and ideological factors, and was influenced by the cultural-historical changes of Late Antiquity. The conclusion gives a new understanding of how wide-ranging, culturally and politically encoded and comprehensive the practice of recarving was.Monumenta Graeca et Romana ;Volume 18.Portrait sculpture, RomanAltered sculpturesPortrait sculpture, Roman.Altered sculptures.733/.5Prusac Marina892651MiAaPQMiAaPQMiAaPQBOOK9910807260303321From face to face4014789UNINA