02719nam 2200709 a 450 991078367760332120230207223829.00-19-772769-71-280-42820-197866104282050-19-534658-01-4237-3414-9(CKB)1000000000245544(EBL)272851(OCoLC)62271309(SSID)ssj0000127366(PQKBManifestationID)11149937(PQKBTitleCode)TC0000127366(PQKBWorkID)10051467(PQKB)10418225(SSID)ssj0001143612(PQKBManifestationID)12377184(PQKBTitleCode)TC0001143612(PQKBWorkID)11110623(PQKB)11083849(Au-PeEL)EBL272851(CaPaEBR)ebr10091865(CaONFJC)MIL42820(MiAaPQ)EBC272851(EXLCZ)99100000000024554420040429d2005 uy 0engur|n|---|||||txtccrThe composer as intellectual[electronic resource] music and ideology in France 1914-1940 /Jane F. FulcherNew York Oxford University Press20051 online resource (488 p.)Description based upon print version of record.0-19-534296-8 0-19-517473-9 Includes bibliographical references (p. 427-462) and indexes.Contents; Introduction; 1: Wartime Nationalism, Classicism, and Their Limits; 2: The National or Universal in the Twenties; 3: The "Defense" of French Culture in the Thirties; 4: The Return to Spirit; Conclusion; Notes; Bibliography; IndexAs a follow-up to her book exploring musical and political cultures in France from the Dreyfus Affair to the First World War, the author here applies the same approach to the years from 1914-1940, arguing that French musical meanings are best explained not in terms of artistic movements, but rather in terms of the political culture.MusicFrance20th centuryHistory and criticismComposersFranceMusicSocial aspectsFranceMusicPolitical aspectsFranceMusicHistory and criticism.ComposersMusicSocial aspectsMusicPolitical aspects780/.944/09041Fulcher Jane F1297949MiAaPQMiAaPQMiAaPQBOOK9910783677603321The composer as intellectual3860720UNINA