02096nam 2200565 a 450 991070112210332120120524130405.0(CKB)5470000002415829(OCoLC)794225438(EXLCZ)99547000000241582920120524d2011 ua 0engurcn|||||||||txtrdacontentcrdamediacrrdacarrierDevelopment and certification of Ultrasonic Background Noise Test (UBNT) system for use on the International Space Station (ISS)[electronic resource] /William H. Prosser, Eric I. MadarasHampton, Va. :National Aeronautics and Space Administration, Langley Research Center,[2011]1 online resource (45 pages) color illustrationsNASA/TM ;2011-217151Title from title screen (viewed on May 24, 2012)."June 2011.""NESC-RP-10-00629."Includes bibliographical references (pages 43-44).Development and certification of Ultrasonic Background Noise Test International Space StationnasatDetectionnasatBackground noisenasatNoise measurementnasatRisk managementnasatSystems integrationnasatUltrasonic testsnasatLeakagenasatInternational Space Station.Detection.Background noise.Noise measurement.Risk management.Systems integration.Ultrasonic tests.Leakage.Prosser William H226019Madaras Eric I(Eric Irvine)1388120Langley Research Center.GPOGPOBOOK9910701122103321Development and certification of Ultrasonic Background Noise Test (UBNT) system for use on the International Space Station (ISS)3491793UNINA03441nam 22006373u 450 991078340580332120230617004822.01-282-07134-30-253-11090-4(CKB)1000000000243807(EBL)242720(OCoLC)475961885(SSID)ssj0000099827(PQKBManifestationID)11114057(PQKBTitleCode)TC0000099827(PQKBWorkID)10019950(PQKB)11606496(MiAaPQ)EBC242720(EXLCZ)99100000000024380720130418d2004|||| u|| |engur|n|---|||||txtccrAfrican Drama and Performance[electronic resource]Bloomington, IN Indiana University Press20041 online resource (285 p.)African expressive cultures African drama and performance Description based upon print version of record.0-253-34439-5 Cover; Table of Contents; Acknowledgments; Introduction; 1. King Baabu and the Renaissance Vision; 2. Dimensions of Theatricality in Africa; 3. Theatre and Anthropology, Theatricality and Culture; 4. Pre-Texts and Intermedia: African Theatre and the Question of History; 5. Soyinka, Euripides, and the Anxiety of Empire; 6. Antigone in the "Land of the Incorruptible": Sylvain Bemba's Noces posthumes de Santigone (Black Wedding Candles for Blessed Antigone); 7. Gestural Interpretation of the Occult in the Bin Kadi-SoAdaptation of Macbeth15. Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music16. Theatres of Truth, Acts of Reconciliation: The TRC in South Africa; 17. The Turner-Schechner Model of Performance as Social Drama: A Reexamination in Light of Anlo-Ewe Haló; 18. Theatricality and Social Mimodrama; Bibliography; Contributors; IndexAfrican Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging voices, to the study of drama, theatre, and performance in Africa. Topics range from studies of major dramatic authors and formal literary dramas to improvisational theatre and popular video films. South Africa's Truth and Reconciliation Commissions are analyzed as a kind of social performance, and aspects of African performance in the diaspora Theater - Africa - History - 20th centuryTheaterHistory20th centuryAfricaPerforming artsHistory20th centuryAfricaAfrican dramaHistory and criticism20th centuryDramaHILCCMusic, Dance, Drama & FilmHILCCTheater - Africa - History - 20th century.TheaterHistoryPerforming artsHistoryAfrican dramaHistory and criticismDramaMusic, Dance, Drama & Film791/.096/0904Conteh-Morgan John1523251Olaniyan Tejumola1523237AU-PeELAU-PeELAU-PeELBOOK9910783405803321African Drama and Performance3763399UNINA