02563nam 2200601Ia 450 991078337230332120230310234356.00-19-028126-X1-4237-3805-50-19-802051-11-280-43917-31-60129-578-2(CKB)1000000000028487(EBL)253386(OCoLC)437160811(SSID)ssj0000128186(PQKBManifestationID)11152357(PQKBTitleCode)TC0000128186(PQKBWorkID)10064022(PQKB)11412068(MiAaPQ)EBC253386(Au-PeEL)EBL253386(CaPaEBR)ebr10087160(CaONFJC)MIL43917(EXLCZ)99100000000002848719830811d1984 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierConcepts in film theory /Dudley AndrewNew York :Oxford University Press,1984.1 online resource (254 pages)Description based upon print version of record.0-19-503394-9 0-19-503428-7 Includes bibliography: p. 212-229 and index.Contents; 1 The State of Film Theory; 2 Perception; 3 Representation; 4 Signification; 5 Narrative Structure; 6 Adaptation; 7 Valuation (of Genres and Auteurs); 8 Identification; 9 Figuration; 10 Interpretation; Notes; Appendix: Classified Bibliography; IndexA remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with a lucid introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. By providing lively explanations of theories that involve perceptual psychology and structuralism,Motion picturesPhilosophyCinematographyMotion picturesPhilosophy.Cinematography.791.43/01Andrew Dudley1945-532928MiAaPQMiAaPQMiAaPQBOOK9910783372303321Concepts in Film Theory1732089UNINA