02871nam 2200721Ia 450 991078331170332120230823185027.01-282-35772-797866123577250-520-93191-21-4237-2764-91-59875-786-510.1525/9780520931916(CKB)1000000000030796(EBL)239227(OCoLC)475950385(SSID)ssj0000245787(PQKBManifestationID)11234639(PQKBTitleCode)TC0000245787(PQKBWorkID)10179762(PQKB)11114619(MiAaPQ)EBC239227(MiAaPQ)EBC4977900(Au-PeEL)EBL239227(CaPaEBR)ebr10088451(Au-PeEL)EBL4977900(CaONFJC)MIL235772(OCoLC)61730527(DE-B1597)648681(DE-B1597)9780520931916(EXLCZ)99100000000003079620050321h20052005 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierSight unseen whiteness and American visual culture /Martin A. Berger1st ed.Berkeley :University of California Press,2005.©20051 online resource (xiv, 236 pages) illustrations, maps0-520-24459-1 Includes bibliographical references and index.Contents; List of Illustrations; Acknowledgments; Introduction. White Like Me; 1. Genre Painting and the Foundations of Modern Race; 2. Landscape Photography and the White Gaze; 3. Museum Architecture and the Imperialism of Whiteness; 4. Silent Cinema and the Gradations of Whiteness; Epilogue. The Triumph of Racialized Thought; Notes; Bibliography; IndexSight Unseen explores how racial identity guides the interpretation of the visual world. Through a nimble analysis of late-nineteenth- and early-twentieth-century paintings, photographs, museums, and early motion pictures, Martin A. Berger illustrates how a shared investment in whiteness invisibly guides what European Americans see, what they accept as true, and, ultimately, what legal, social, and economic policies they enact.Art and raceArts, American19th centuryRace awareness in artWhite peopleRace identityUnited StatesArt and race.Arts, AmericanRace awareness in art.White peopleRace identity701/.03Berger Martin A30331MiAaPQMiAaPQMiAaPQBOOK9910783311703321Sight unseen3678624UNINA