02715nam 2200601Ia 450 991078309570332120230721021238.01-84150-299-5(CKB)1000000000748057(EBL)435027(OCoLC)608623635(SSID)ssj0000139246(PQKBManifestationID)11146835(PQKBTitleCode)TC0000139246(PQKBWorkID)10009178(PQKB)10614812(MiAaPQ)EBC435027(Au-PeEL)EBL435027(CaPaEBR)ebr10288765(CaONFJC)MIL884587(EXLCZ)99100000000074805720081009d2009 uy 0engur|n|---|||||txtccrDigital visual culture[electronic resource] theory and practice /edited by Anna Bentkowska-Kafel, Trish Cashen and Hazel GardinerBristol, U.K. Intellect20091 online resource (130 p.)Computers and the History of Art Series ;Yearbook 2006, Volume 3Papers in this volume drawn from two CHArt conferences.1-84150-248-0 Front Cover; Preliminary Pages; Contents; Contributors; Introduction; Digital Creativity; Digital Spaces; Digital Presence; Digital Archive; Back CoverDigital creativity is boundless. Art practitioners and scholars continue to explore what technology has to offer and practice-based research is redefining their disciplines. What happens when an artist experiments with bio-scientific data and discovers something the scientists failed to notice? How do virtual telematic environments affect our relationship with the object and our understanding of identity and presence? Interactive engagement with the creative process takes precedence over the finite piece thus affecting the roles of the artist and the viewer.The experience of arts computing in Computers and the history of art ;Yearbook 2006, v. 3.Digital artCongressesVisual communicationCongressesDigital artVisual communication776Bentkowska-Kafel Anna1469799Cashen Trish1475044Gardiner Hazel1475045Theory and Practice(2005 :London, England)Fast Forward, Art History, Curation and Practice after Media(2006 :Birbeck, University of London)MiAaPQMiAaPQMiAaPQBOOK9910783095703321Digital visual culture3758876UNINA